"Thank you," answered the young woman, with an ease equal to his own.
And then they both waited while regarding each other seriously. Finally
the tension relaxed and Dennis Farraday gave a big, jovial laugh while
he made his admission:
"I don't know a thing about the play business. I'm just sitting in with
Mr. Vandeford for the fun of it."
"An angel?" asked the girl, with a laugh that somehow accorded with
his.
"That's it. He's gone out and left me to--to cut my eye teeth."
"On me?"
"Looks that way," and again they both laughed.
"Maybe I can help you," volunteered the girl, after the laugh. "I am
Mildred Lindsey, and Mr. Chambers sent me in to see if I could support
Miss Hawtry."
"Er--er, what experience?" Mr. Dennis Farraday managed to ask by fishing
into his impressions of the last two hours.
"Five years in stock on the Pacific coast, two years in towns between,
and two weeks in a flivver here on Broadway early in the spring. Dead
broke, hungry, and about ready to make good for some manager." As the
answer was fired point-blank at him, Mr. Dennis Farraday seemed to see a
fire of psychic hunger blaze as high as that of wolfish, physical agony
in the girl's eyes.
Mr. Dennis Farraday eagerly searched on the paper of guidance in casting
made out by Mr. Adolph Meyers for the benefit of Mr. Vandeford and
found "woman support," and opposite the item of salary, seventy-five
dollars. He doubled.
"How would a hundred and fifty a week with costumes do for salary? You
can have a couple of weeks advance right now if you like," he said in an
easy, nonchalant manner as much like that of Mr. Vandeford as he could
muster, for those fires of hunger in the girl's eyes were searching
holes in Mr. Dennis Farraday's pocket.
"It would save my life--but--but could you tell me a little about the
part? I might not be able to play it." There were both hope and fear in
her compelling voice.
The question found Mr. Dennis Farraday unprepared by any precedent
established in the two foregoing hours, for between the artists and Mr.
Vandeford there had been alone the matter of salary to be settled and
not one of them had inquired whether they were being engaged to play a
Billy Sunday or an Ethiopian slave. But in another way it found him
better prepared than would have been Mr. Godfrey Vandeford. He had read
the manuscript of "The Purple Slipper" and Mr. Vandeford had not.
"Well, to my uninitiated way of thinking, the supporting part is about
as good as the leading one," said Mr. Dennis Farraday, and forthwith he
launched out on an eager, enthusiastic resume of the plot and
atmosphere, even quoting lines of "The Purple Slipper." And as he talked
Mildred Lindsey leaned across the table toward him and fairly drank in
his words.
Public-domain text, read in full here on John Shaqi.
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