"Miss Lindsey tells me that she also lives at the Y. W. C. A.," he said
with a curious paternal glow in his solar plexus that he had never
experienced before.
"Oh, I'm so glad! I know that is foolish of me, but I am a little
frightened. I don't know anybody in New York except you and her
and--I've never been in a big city before, and only in Louisville a few
times with my aunt. I'll enjoy it if she will take me places and bring
me back and forth to rehearsals," and the gray eyes beamed with relief
and anticipation of being led forth from the Y. W. C. A. into the gay
world by a competent guide. "Can we go to some of the _the dansants_ in
the afternoon, and maybe to the Metropolitan and the Aquarium?"
"Yes, all those places and more," assented Mr. Vandeford, with a
suppressed smile at the diversity of amusements his charge had planned
in her sallies from the Y. W. C. A. "You see, it is both the duty and
the pleasure of a producer of a play to see that his author has a good
time while in the city." It was a surprise to Mr. Vandeford to find
himself thus stating the case inversely.
"Oh, but I mean to work hard to help with 'The Purple Slipper,' so I'll
be too tired to bother you much to take me places. And I know how hard
you work, so don't have me on your mind, will you, please, sir?" The
lifted curl of the black lashes and the reverential note in the soft,
slurring, Blue-grass voice almost upset the staid deference with which
Mr. Vandeford was conversing with the author of his new Hawtry play.
"Oh, play producing isn't so hard on the producer and the author, so
we'll have lots of time to frolic," he hastened to assure her, though an
uneasy little pang shot into his heart as he thought of just what befell
the average author at the rehearsals of his or her play, and he took an
additional vow of protection. "Shall I come to take you to dinner and to
a show to-night?"
"Oh, I'd love it," she answered, and again the color came up under the
gray eyes. "It would be wonderful to have you show me Broadway the first
time. I could never forget that."
Then a thought delivered a blow that laid the producer of "The Purple
Slipper" low. The afternoon was half gone, and there were dozens of
wires that he must manipulate since he had had a change of--heart,
concerning "The Purple Slipper," and dinner-time and evening were the
only hours that some of the most important could be found.
Public-domain text, read in full here on John Shaqi.
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