Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villages — John Shaqi
Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villagesKellogg, Charlotte
History
Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villages
Kellogg, Charlotte
Brussels lace committee; Lace and lace making -- Belgium
In this model school, for all children under sixteen years of age the
lace work alternates with regular lessons, as it should of course,
in every school. Those above that age may give their entire day to
the lace. The hours for girls between nine and thirteen are: from
8 to 11 o’clock, lessons; from 1:30 to 4 o’clock, lessons again;
and from 4 to 6:30 o’clock, lace. This is still a sadly long day
for growing children, but it nevertheless registers a most cheering
improvement over the former cruelty of a far longer day. It has been
the Committee’s hope that such a system as this might be instituted
throughout Belgium, and that from it they might advance to still better
conditions. Children from thirteen to sixteen come at 7:30 o’clock,
make lace till 11:30, and again from 1:30 to 4:45 o’clock. From 5
until 6:30 o’clock they have regular school lessons—one wonders how
much education can be crowded into one and a half hours at the end of
a day that began at 7:30 o’clock! The girls over sixteen years of age
make lace from 7:30 until 6:30 o’clock. One thing to remember always,
in looking at these distressing figures, is the frequent number of
holidays in Belgium; the children are saved by their numerous _fête_
days.
It was not easy to leave the tragic and marvelous primary room; the
fairy-like fingers and the golden heads above the cushions. But I had
to go on to room number one on the ground floor where there was another
Point de Paris class, for girls about twelve years old. In the Abbé
Berraly school the girls must pass through at least three classes in
Point de Paris before they proceed to Point de Lille, to go on from
there to the “spider-web,” or delicate and most difficult Malines.
The first striking difference between this room and the primary, was
in the number of bobbins piled on the cushions—there were hundreds
now instead of dozens. The cushions were larger, too, and most of them
were round, for many of the pupils were working on collars and doily
and handkerchief edgings. The designs were already complicated, one
of them represented, for instance, the animal symbols of the allied
nations. This class promotes to the advanced class in Point de Paris,
where I found several cushions with over 500 bobbins heaped upon them,
and girls of fourteen and fifteen years shifting that number with a
swiftness not to be followed.
Public-domain text, read in full here on John Shaqi.
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