Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villages — John Shaqi
Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villagesKellogg, Charlotte
History
Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villages
Kellogg, Charlotte
Brussels lace committee; Lace and lace making -- Belgium
I went from the school-room, past the fire in the courtyard, back to
the large hall where the Canadians were still decorating for their
party, and where we wished one another a Happy New Year—brave
Canadian boys well loved by the Belgians—then on to the house of
Madame’s mother, who for a half-century has been a lace _fabricant_,
or dealer, and whose front room served easily as combined salon and
office. Precious laces need very little space; they can be stored in a
handsome carved oak armoire, which is at once a safe and a beautiful
article of furniture. This old lady’s hair was still dark and glossy,
as is so often the case with grandmothers in Europe, and her brown
eyes were bright and keen. She talked of the time when there were more
than twenty dealers employing over 2,000 workers on Chantilly in the
Grammont region, and of the gradual decline of the industry. “Certain
empty houses on the heights above the town tell the story. Long ago the
lace-makers left the valley at the foot of the slope, and seeking the
brighter light on the hill, formed a lace colony there; but they have
come down again, the houses on the hill are deserted. One by one the
skilled old workers have died, and their secrets with them. There is
only one really excellent piqueuse left and she is a baker-woman who
exercises her talent of pricking patterns between baking! And I believe
that instead of the former thousands, we have not more than eight
hundred dentellières to-day. Here, as elsewhere, factories have come,
and the lace has fled. With us it is the cigar and the match that have
banished it, they furnish better wages and our women follow. However,
if we can win a higher pay for the lace, and can but develop the little
school you have just visited, and continue to train our girls, we shall
yet be able to restore Chantilly. Especially,” she added, “if we can
be helped by that fickle Mistress Fashion, who last year smiled again
on the black lace gown. Some of our patterns for robes can be made in
a few weeks, but the truly fine ones take months, even a year to make.
All depends on the design and the number of threads. We have had much
to combat in the success of the marvelous Calais machine imitations of
Chantilly, but true lovers of lace will never be content with them,
however clever they are.”
Public-domain text, read in full here on John Shaqi.
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