In his most courteous manner Dr. Hake told his illustrious guest what had
happened. Borrow literally raged. The man who insulted his Romany
friends insulted him. His friends were incapable of any act of
ingratitude to a man whose hospitality he was accepting. But the worthy
Hake insisted that, as a matter of mere fact, certain fowls, linen, and
garden tools, had disappeared from the place at a time which synchronized
with the Romany incursion. It was enough. The incensed “Lavengro”
ordered his portmanteau to be packed and taken to the station. He flung
out of the house, ignoring the kindly _au revoir_ of his gentle host.
After many moons he came to his senses again, and was reconciled to one
of the most amiable, hospitable, and accomplished men of his time.
On two or three occasions after my introduction I met Borrow in town. He
had apartments near the Museum. He was invariably civil. But this I
attribute to the fact that I was able to talk pugilistic lore with him,
and to introduce him to Nat Langham’s, a centre of “the fancy,” of the
existence of which it surprised me to find so great an admirer of the
P.R. completely ignorant. When I proposed this excursion we were in
Charlotte Street, Fitzroy Square, and Borrow had been met by me as he was
walking along the side-path with a copy of the Old Testament in Hebrew
held close to his failing eyes. He thrust the book into his pocket and
accompanied me. I shrewdly suspect that this was the only occasion on
which a Bible found its way into Nat Langham’s famous crib.
Some time after Borrow’s death I was regularly engaged in writing for the
newspapers, and it came in my way to make some inquiries concerning the
circumstances under which he passed away. They were grim enough. In a
lonely old farmhouse, situated by the whispering reeds of a Suffolk
broad, he breathed his last. He was quite alone at the time when he was
_in extremis_. And when at last the massive form was found lying there,
cold and stark and dead, it was gathered up and pressed into a deal box.
hastily put together by the village carpenter, and despatched by rail
from the nearest railway-station—a sad and tragical ending, surely, for
an imperious genius who had been in his day the lion of a London season,
and whose writings have established a cult comparable only to that which
has arisen over Fitzgerald and the libidinous old Persian philosopher,
whom he made to live again in his wonderful paraphrase.
Public-domain text, read in full here on John Shaqi.
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