Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
"O Macchabées, nous sommes devant la porte de la chambre de la mort!"
wailed an unearthly voice from the farther end of the passage as we
advanced. Then before us appeared a solitary figure standing beneath a
green lamp. The figure was completely shrouded in black, only the eyes
being visible, and they shone through holes in the pointed cowl. From
the folds of the gown it brought forth a massive iron key attached to
a chain, and, approaching a door seemingly made of iron and heavily
studded with spikes and crossed with bars, inserted and turned the key;
the bolts moved with a harsh, grating noise, and the door of the chamber
of death swung slowly open.
"O Macchabées, enter into eternity, whence none ever return!" cried the
new, strange voice.
The walls of the room were a dead and unrelieved black. At one side two
tall candles were burning, but their feeble light was insufficient even
to disclose the presence of the black walls of the chamber or indicate
that anything but unending blackness extended heavenward. There was not
a thing to catch and reflect a single ray of the light and thus become
visible in the blackness.
Between the two candles was an upright opening in the wall; it was of
the shape of a coffin. We were seated upon rows of small black caskets
resting on the floor in front of the candles. There was hardly a whisper
among the visitors. The black-hooded figure passed silently out of view
and vanished in the darkness.
Presently a pale, greenish-white illumination began to light up the
coffin-shaped hole in the wall, clearly marking its outline against the
black. Within this space there stood a coffin upright, in which a pretty
young woman, robed in a white shroud, fitted snugly. Soon it was evident
that she was very much alive, for she smiled and looked at us saucily.
But that was not for long. From the depths came a dismal wail:
"O Macchabée, beautiful, breathing mortal, pulsating with the warmth and
richness of life, thou art now in the grasp of death! Compose thy soul
for the end!"
Her face slowly became white and rigid; her eyes sank; her lips
tightened across her teeth; her cheeks took on the hollowness of
death,-- she was dead. But it did not end with that. From white the face
slowly grew livid... then purplish black.... The eyes visibly shrank
into their greenish-yellow sockets.... Slowly the hair fell away....
The nose melted away into a purple putrid spot. The whole face became a
semi- liquid mass of corruption. Presently all this had disappeared, and
a gleaming skull shone where so recently had been the handsome face of
a woman; naked teeth grinned inanely and savagely where rosy lips had
so recently smiled. Even the shroud had gradually disappeared, and an
entire skeleton stood revealed in the coffin.
The wail again rang through the silent vault:
Public-domain text, read in full here on John Shaqi.
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