Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
"Ah, ah, Macchabée! Thou hast reached the last stage of dissolution,
so dreadful to mortals. The work that follows death is complete. But
despair not, for death is not the end of all. The power is given to
those who merit it, not only to return to life, but to return in any
form and station preferred to the old. So return if thou deservedst and
desirest."
[Illustration: 0280]
With a slowness equal to that of the dissolution, the bones became
covered with flesh and cerements, and all the ghastly steps were
reproduced reversed. Gradually the sparkle of the eyes began to shine
through the gloom; but when the reformation was completed, behold!
there was no longer the handsome and smiling young woman, but the sleek,
rotund body, ruddy cheeks, and self-conscious look of a banker. It was
not until this touch of comedy relieved the strain that the rigidity
with which Mr. Thompkins had sat between us began to relax, and a smile
played over his face,--a bewildered, but none the less a pleasant,
smile. The prosperous banker stepped forth, sleek and tangible, and
haughtily strode away before our eyes, passing through the audience
into the darkness. Again was the coffin-shaped hole in the wall dark and
empty.
He of the black gown and pointed hood now emerged through an invisible
door, and asked if there was any one in the audience who desired to
pass through the experience that they had just witnessed. This created a
suppressed commotion; each peered into the face of his neighbor to find
one with courage sufficient for the ordeal. Bishop suggested to Mr.
Thompkins in a whisper that he submit himself, but that gentleman very
peremptorily declined. Then, after a pause, Bishop stepped forth and
announced that he was prepared to die. He was asked solemnly by the
doleful person if he was ready to accept all the consequences of his
decision. He replied that he was. Then he disappeared through the black
wall, and presently appeared in the greenish-white light of the open
coffin. There he composed himself as he imagined a corpse ought, crossed
his hands upon his breast, suffered the white shroud to be drawn about
him, and awaited results,--after he had made a rueful grimace that threw
the first gleam of suppressed merriment through the oppressed audience.
He passed through all the ghastly stages that the former occupant of the
coffin had experienced, and returned in proper person to life and to his
seat beside Mr. Thompkins, the audience applauding softly.
A mysterious figure in black waylaid the crowd as it filed out. He held
an inverted skull, into which we were expected to drop sous through
the natural opening there, and it was with the feeling of relief from a
heavy weight that we departed and turned our backs on the green lights
at the entrance.
Public-domain text, read in full here on John Shaqi.
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