Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
The _massier_ is a student who manages the studio, models, and _masse_
money. This one, a large fellow with golden whiskers (size and strength
are valuable elements of the massier's efficiency), demanded twenty-five
francs from each of the new-comers,--this being the _masse_ money, to
pay for fixtures, turpentine, soap, and clean towels, _et pour payer
à boire_. The Turk refused to pay, protesting that he had but thirty
francs to last him the month; but menacing stools and sticks opened
his purse; his punishment was to come later. After the money had
been collected from all the nouveaux the entire atelier of over sixty
students, dressed in working blouses and old coats, formed in line, and
with deafening shouts of "_A boire! à boire!_" placed the _nouveaux_
in front to carry the class banner, and thus marched out into the _Rue
Bonaparte_ to the _Café des Deux Magots_, singing songs fit only for
the studio. Their singing, shouting, and ridiculous capers drew a great
crowd. At the café they created consternation with their shouting
and howling until the arrival of great bowls of "_grog Américain_,"
cigarettes, and _gâteaux_. Rousing cheers were given to a marriage-party
across the Place St.-Germain. The Turk was forced to do a Turkish dance
on a table and sing Turkish songs, and to submit to merciless ridicule.
The timid little Siamese also had to do a turn, as did Bishop and
W------, the American from Nebraska, who had been a cowboy at home.
After yelling themselves hoarse and nearly wrecking the café, the
students marched back in a disorderly mob to the Ecole. Then the real
trouble began.
The gardien having conveniently disappeared, the students closed
and barricaded the door. "_A poil! à poil!_" they yelled, dancing
frantically about the frightened nouveaux; "_à poil les sales nouveaux!
à poil!_" They seized the Turk and stripped him, despite his desperate
resistance; then they tied his hands behind him and with paint and
brushes decorated his body in the most fantastic designs that they could
conceive. His oaths were frightful. He cursed them in the name of Allah,
and swore to have the blood of all Frenchmen for desecrating the sacred
person of a Moslem. He called them dogs of infidels and Christians. But
all this was in Turkish, and the students enjoyed it immensely. "_En
broche!_" they yelled, after they had made him a spectacle with the
brushes; "_en broche! Il faut le mettre en broche!_" This was quickly
done. They forced the Turk to his haunches, bound his wrists in front of
his upraised knees, thrust a long pole between his elbows and knees,
and thus bore him round the atelier at the head of a singing procession.
Four times they went round; then they placed the helpless M. Haidor on
the model-stand for future reference. The bad French that the victim
occasionally mixed with his tirade indicated the fearful damnation that
he was doubtless dealing out in Turkish.
Public-domain text, read in full here on John Shaqi.
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