Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
Bishop came next. He had made up his mind to stand the initiation
philosophically, whatever it might be, but when he was ordered to strip
he became apprehensive and then angry. Nothing so delights the students
as for a _nouveau_ to lose his temper. Bishop squared off to face the
whole atelier, and looked ugly. The students silently deployed on three
sides, and with a yell rushed in, but not before three of them had gone
down under his fists did they pin him to the floor and strip him. While
Bishop was thus being prepared, the Nebraskan was being dealt with. He
had the wisdom not to lose his temper, and that made his resistance
all the more formidable. Laughing all the time, he nevertheless dodged,
tripped, wrestled, threw stools, and did so many other astonishing and
baffling things that the students, though able to have conquered him
in the end, were glad to make terms with him. In this arrangement he
compelled them to include Bishop. As a result, those two mounted the
model throne naked, and sang together and danced a jig, all so cleverly
that the Frenchmen were frantic with delight, and welcomed them as _des
bons amis_. The amazing readiness and capability of the American fist
bring endless delight and perennial surprise to the French.
[Illustration: 0053]
The rest of the nouveaux were variously treated. Some, after being
stripped, were grotesquely decorated with designs and pictures not
suitable for general inspection. Others were made to sing, to recite, or
to act scenes from familiar plays, or, in default of that, to improvise
scenes, some of which were exceedingly funny. Others, attached to a rope
depending from the ceiling, were swung at a perilous rate across the
atelier, dodging easels in their flight.
At half-past twelve the sport was over. The barricade was removed,
the Turk's clothes hidden, the Turk left howling on his shelf, and the
atelier abandoned. The next morning there was trouble. The director was
furious, and threatened to close the atelier for a month, because the
Turk had not been discovered until five o'clock, when his hoarse howls
attracted the attention of the gardien of the fires. His trousers and
one shoe could not be found. It was three months before Haidor appeared
at the atelier again, and then everything had been forgotten.
Bishop was made miserable during the ensuing week. He would find himself
roasting over paper fires kindled under his stool. Paint was smeared
upon his easel to stain his hands. His painting was altered and entirely
re-designed in his absence. Strong-smelling cheeses were placed in the
lining of his "plug" hat. His stool-legs were so loosened that when
he sat down he struck the floor with a crash. His painting-blouse was
richly decorated inside and out with shocking coats of arms that would
not wash out. One day he discovered that he had been painting for a
whole hour with currant jelly from a tube that he thought contained
laque.
Public-domain text, read in full here on John Shaqi.
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