All during Gérôme's tour of inspection the model must maintain his pose, however difficult and exhausting. Often he is kept on a fearful strain for two hours. After the criticism the boys show Gérôme sketches and studies that they have made outside the Ecole, and it is in discussing them that his geniality and kindliness appear. Gérôme imperiously demands two things,--that his pupils, before starting to paint, lay on a red or yellow tone, and that they keep their brushes scrupulously clean. Woe to him who disobeys! After he leaves with a cheery "_Bon jour, messieurs!_" pandemonium breaks loose, if the day be Saturday. Easels, stools, and studies are mowed down as by a whirlwind, yells shake the building, the model is released, a tattoo is beaten on the sheet-iron stove-guard, everything else capable of making a noise is brought into service, and either the model is made to do the _danse du ventre_ or a _nouveau_ is hazed. The models--what stories are there! Every Monday morning from ten to twenty present themselves, male and female, for inspection in _puris naturalibus_ before the critical gaze of the students of the different ateliers. One after another they mount the throne and assume such academic poses of their own choosing as they imagine will display their points to the best advantage. The students then vote upon them, for and against, by raising the hand. The massier, standing beside the model, announces the result, and, if the vote is favorable, enrols the model for a certain week to come. There is intense rivalry among the models. Strange to say, most of the male models in the schools of Paris are from Italy, the southern part especially. As a rule, they have very good figures. They begin posing at the age of five or six, and follow the business until old age retires them. Crowds of them are at the gates of the Beaux-Arts early on Monday mornings. In the voting, a child may be preferred to his seniors, and yet the rate of payment is the same,--thirty francs a week. [Illustration: 0061] Many of the older models are quite proud of their profession, spending idle hours in studying the attitudes of figures in great paintings and in sculptures in the Louvre or the Luxembourg, and adopting these poses when exhibiting themselves to artists; but the trick is worthless. Few of the women models remain long in the profession. Posing is hard and fatiguing work, and the students are merciless in their criticisms of any defects of figure that the models may have,--the French are born critics. During the many years that I have studied and worked in Paris I have seen scores of models begin their profession with a serious determination to make it their life-work. [Illustration: 9062]