Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
Strange as it may seem, most of these pictures are worked upon until the
very last day; indeed, many of them are snatched unfinished from their
easels, to receive the finishing touches in the dust and confusion and
deafening noise of the great hall where they are all dumped like so much
merchandise. We saw one artist who, not having finished his picture,
was putting on the final touches as it was borne ahead of him along the
street on the back of a commissionnaire.
[Illustration: 0079]
And all this accounts for the endless smearing everywhere noticeable,
and for the frantic endeavors of the artists to repair the damage at the
last moment.
One great obstacle to poor artists is the rigid rule requiring that all
tableaux shall be framed. These frames are costly. As a result, some
artists paint pictures of the same size year after year, so that the
same frame may be used for all, and others resort to such makeshifts
as Bishop was compelled to employ. But these makeshifts must be
artistically done, or the canvases are ignored by the judges. These
efforts give rise to many startling effects.
It was not very long, after an easy pull over the Boulevard St.-Germain,
before we crossed the Seine at the Pont de la Concorde, traversed the
Place de la Concorde, and turned into the Champs-Elysées, where, not far
away, loomed the Palais des Beaux-Arts, in which the Salon is annually
held in March. The Avenue des Champs-Elysées, crowded as it usually is
in the afternoons, was now jammed with cabs, omnibuses, hand-carts, and
all sorts of moving vans, mingling with the fashionable carriages on
their way to the Bois. The proletarian vehicles contained art,--art
by the ton. The upper decks of the omnibuses were crowded with artists
carrying their pictures because they could not afford more than the
three-sous fare. And such an assortment of artists!
There were some in affluent circumstances, who rolled along voluptuously
in cabs on an expenditure of thirty-five francs, holding their precious
tableaux and luxuriantly smoking cigarettes.
[Illustration: 0081]
The commissionnaires had a great day of it. They are the ones usually
seen asleep on the street corners, where, when awake, they varnish boots
or bear loads by means of a contrivance on their backs. On this day
every one of them in Paris was loaded down with pictures.
Many were the hard-up students, like Bishop, tugging hand-carts, or
pairing to carry by hand pictures too large to be borne by a single
person. And great fun they got out of it all.
Public-domain text, read in full here on John Shaqi.
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