Bohemian Paris of To-day: Second Edition — John Shaqi
Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
For to-night was the great annual ball of the artists, when all artistic
Paris crawls from its mysterious depths to revel in a splendid carnival
possible only to the arts. Every spring, after the pictures have been
sent to the Salon, and before the students have scattered for the summer
vacation, the artists of Paris and the members of all the ateliers of
the four arts--painting, sculpture, architecture, and engraving--combine
their forces in producing a spectacle of regal splendor, seen nowhere
else in the world; and long are the weeks and hard the work and vast the
ingenuity devoted to preparations,--the designing of costumes and the
building of gorgeous floats.
During the last three weeks the _élèves_ of the _Atelier Gérôme_
abandoned their studies, forgot all about the concours and the Prix de
Rome, and devoted all their energies to the construction of a colossal
figure of Gérôme's great war goddess, "Bel-lona." It was a huge task,
but the students worked it out with a will. Yards of sackcloth, rags,
old coats, paint rags, besides pine timbers, broken easels and stools,
endless wire and rope, went into the making of the goddess's frame, and
this was covered with plaster of Paris dexterously moulded into shape.
Then it was properly tinted and painted and mounted on a chariot of
gold. A Grecian frieze of galloping horses, mounted, the clever work of
Siffert, was emblazoned on the sides of the chariot. And what a wreck
the atelier was after all was finished! _Sacré nom d'un chien!_ How the
gardiens must have sworn when cleaning-day came round!
The ateliers in the Ecole are all rivals, and each had been secretly
preparing its coup with which to capture the grand prix at the bal.
The great day came at last. The students of our atelier were perfectly
satisfied with their handiwork, and the massier made all happy by
ordering a retreat to the Café des Deux Magots, where success to the
goddess was drunk in steaming "grog Américain." Then Bellona began her
perilous journey across Paris to Montmartre and the Moulin Rouge.
[Illustration: 0087]
This was not an easy task, as she was fifteen feet high; signs and lamp-
posts suffered, and sleepy cab-horses danced as their terrified gaze
beheld the giant goddess with her uplifted sword. Crowds watched the
progress of Bellona on the Avenue de l'Opéra, drawn by half a hundred
students yelling the national hymn. The pull up the steep slope of
Montmartre was heavy, but in less than two hours from the start at the
Ecole the goddess was safely housed in the depths of the Moulin Rouge,
there to await her triumphs of the night.
Public-domain text, read in full here on John Shaqi.
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