Bohemian Paris of To-day: Second Edition — John Shaqi
Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
Meanwhile, the great hall swarmed with life and blazed with color and
echoed with the din of merry voices. Friends recognized one another with
great difficulty. And there was Gérôme himself at last, gaudily gowned
in the rich green costume of a Chinese mandarin, his white moustache
dyed black, and his white locks hidden beneath a black skull-cap topped
with a bobbing appendage. And there also was Jean Paul Laurens, in the
costume of a Norman, the younger Laurens as Charlemagne. Léandre, the
caricaturist, was irresistible as a caricature of Queen Victoria. Puech,
the sculptor, made a graceful courtier of the Marie Antoinette régime.
Willett was a Roman emperor. Will Dodge was loaded with the crown,
silks, and jewels of a Byzantine emperor.
Louis Loeb was a desperate Tartar bandit. Castaigne made a hit as an
Italian jurist. Steinlen, Grasset, Forain, Rodin,--in fact, nearly all
the renowned painters, sculptors, and illustrators of Paris were there;
and besides them were the countless students and models.
[Illustration: 0094]
"La cavalcade! le grand cortège!" rose the cry above the crashing of the
band and the noise of the revellers; and then all the dancing stopped.
Emerging from the gardens through the open glass door, bringing with it
a pleasant blast of the cool night air, was the vanguard of the great
procession. The orchestra struck up the "Victor's March," and a great
cry of welcome rang out.
First came a band of yelling Indians dancing in, waving their spears and
tomahawks, and so cleaving a way for the parade. A great roar filled
the glass-domed hall when the first float appeared. It was daring and
unique, but a masterpiece. Borne upon the shoulders of Indians, who were
naked but for skins about their loins, their bodies stained a dark brown
and striped with paint, was a gorgeous bed of fresh flowers and trailing
vines; and reclining in this bed were four of the models of Paris, lying
on their backs, head to head, their legs upraised to support a circular
tablet of gold.
[Illustration: 0095]
Upon this, high in air, proud and superb, was the great Susanne in all
her peerless beauty of face and form,--simply that and nothing more. A
sparkling crown of jewels glowed in her reddish golden hair; a flashing
girdle of electric lights encircled her slender waist, bringing out the
marvellous whiteness of her skin, and with delicate shadows and tones
modelling the superb contour of her figure. She looked a goddess--and
knew it. The crowd upon whom she looked down stood for a while spell-
bound, and then, with a waving of arms and flags, came a great shout,
"Susanne! Susanne! la belle Susanne!" Susanne only smiled. Was she not
the queen of the models of Paris?
Public-domain text, read in full here on John Shaqi.
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