Bohemian Paris of To-day: Second Edition — John Shaqi
Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
Though the floor was slippery with wine and dangerous from broken glass,
dancing and the cutting of capers proceeded without abatement. The
favorite danse du ventre and songs and speeches filled the night to
the end of the ball, and then the big orchestra, with a great flourish,
played the "Victor's March." This was the signal for the final
procession. The vast concourse of students and artists poured forth into
the cool, sweet morning air, and the bal was at an end.
Paris was asleep, that early April morning, save for the street-sweepers
and the milkmaids and the concierges. But the Place Blanche was very
much awake. The morning air was new wine in stale veins, and it banished
fatigue.
"_En cavalcade! en cavalcade!_" was the cry; and in cavalcade it was.
A great procession of all the costumers was formed, to march ensemble
across Paris to the Quartier Latin. Even the proud Bellona was dragged
along in the rear, towering as high as the lower wings of the now
motionless red windmill. She seemed to partake in the revelry, for she
swayed and staggered in an alarming fashion as she plunged recklessly
down the steeps of Montmartre.
[Illustration: 0107]
The deserted Rue Blanche re-echoed the wild yells and songs of the
revellers and the rattling of the string of cabs in the rear. The rows
of heaped ash-cans that lined the way were overturned one after another,
and the oaths and threatening brooms of the outraged concierges went for
nothing. Even the poor diligent rag- and bone-pickers were not spared;
their filled sacks, carrying the result of their whole night's hunt,
were taken from them and emptied. A string of carts heavily laden with
stone was captured near the Rue Lafayette, the drivers deposed, and the
big horses sent plunging through Paris, driven by Roman charioteers, and
making more noise than a company of artillery.
When the Place de l'Opéra was reached a thousand revellers swarmed up
the broad stairs of the Grand Opéra like colored ants, climbed upon the
lamp-posts and candelabra, and clustered all over the groups of statuary
adorning the magnificent façade. The band took up a position in the
centre and played furiously, while the artists danced ring-around-a-
rosy, to the amazement of the drowsy residents of the neighborhood.
The cavalcade then re-formed and marched down the Avenue de l'Opéra
toward the Louvre, where it encountered a large squad of street-sweepers
washing the avenue. In an instant the squad had been routed, and the
revellers, taking the hose and brooms, fell to and cleaned an entire
block, making it shine as it had never shone before.
Cabs were captured, the drivers decorated with Roman helmets and swords,
and dances executed on the tops of the vehicles. One character, with
enormous india-rubber shoes, took delight in permitting cabs to run over
his feet, while he emitted howls of agony that turned the hair of the
drivers white.
[Illustration: 9110]
Public-domain text, read in full here on John Shaqi.
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