The Boul' Mich' is at its glory on Saturday nights, for the students have done their week's work, and the morrow is Sunday. Nearly everybody goes to the Bal Bullier. This is separated from the crowded Boul' Mich' by several squares of respectable dwelling-houses and shops, and a dearth of _café_s prevails thereabout. At the upper end of the Luxembourg is a long stone wall brilliantly bedecked with lamps set in clusters,--the same wall against which Maréchal Ney was shot (a striking monument across the way recalls the incident). At one end of this yellow wall is an arched entrée, resplendent with the glow of many rows of electric lights and lamps, which reveal the colored bas-reliefs of dancing students and gri-settes that adorn the portal. Near by stands a row of voitures, and others are continually dashing up and depositing Latin-Quarter swells with hair parted behind and combed forward toward the ears, and dazzling visions of the demi-monde in lace, silks, and gauze. And there is a constantly arriving stream of students and gaudily dressed women on foot. Big gardes municipaux stand at the door like stone images as the crowd surges past. [Illustration: 0121] To-night is one-franc night. An accommodating lady at the box-office hands us each a broad card, and another, au vestiaire, takes our coats and hats and charges us fifty centimes for the honor. Descending the broad flight of softly carpeted red stairs, a brilliant, tumultuous, roaring vision bursts upon us, for it is between the dances, and the visitors are laughing and talking and drinking. The ball-room opens into a generous garden filled with trees and shrubbery ingeniously devised to assure many a secluded nook, and steaming garçons are flying hither and thither serving foaming bocks and colored syrups to nymphs in bicycle bloomers, longhaired students under tam o'shanters, and the swells peculiar to le Quartier Latin. "_Ah! Monsieur Beeshop, comment vas tu?_" "_Tiens! le voilà, Beeshop!_" "_Ah, mon ange!_" and other affectionate greetings made Bishop start guiltily, and then he discovered Hélène and Marcelle, two saucy little models who had posed at the École. There also was Fannie, formerly (before she drifted to the _café_s) our blanchisseuse, leaning heavily upon the arm of son amant, who, a butcher-boy during the day, was now arrayed in a cutaway coat and other things to match, including a red cravat that Fannie herself had tied; but he wore no cuffs. Many other acquaintances presented themselves to Bishop, somewhat to his embarrassment. One, quite a swell member of the demi-monde, for a moment deserted her infatuated companion, a gigantic Martinique negro, gorgeously apparelled, and ran up to tease Bishop to paint her portrait à l'oil, and also to engage him for la prochaine valse. [Illustration: 0123]