Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
Bishop soon had the hearts of all the shop-keepers in the neighborhood.
The baker's dimple-cheeked daughter never worried if the scales hung a
little in his favor, at the boucherie he was served with the choicest
cuts of meat, and the fried-potato women called him "_mon fils_"
and fried a fresh lot of potatoes for him. Even Madame Tonneau, the
_marchande de tabac_, saw that he had the freshest packages in the shop.
Often, when I was returning home at night, I encountered him making
cheerily for the studio, bearing bread by the yard, his pockets bulging
with other material for dinner. Ah, he was a wonderful cook, and we had
marvellous appetites! So famous did he soon become that the models (the
lady ones, of course) were eager to dine _avec nous_; and when they did
they helped to set the table, they sewed buttons on our clothes, and
they made themselves agreeable and perfectly at home with that charming
grace which is so peculiarly French. Ah, those were jolly times!
The court, or, more properly, _le passage_, on which our window looked
was a narrow little thoroughfare leading from the Rue St.-André-des-Arts
to the Boulevard St.-Germain. It bore little traffic, but was a busy
way withal. It had iron-workers' shops, where hot iron was beaten
into artistic lamps, grills, and bed-frames; a tinsmith's shop; a
blanchisserie, where our shirts were made white and smooth by the pretty
blanchisseuses singing all day over their work; a wine-cellar, whose
barrels were eternally blocking one end of the passage; an embossed
picture-card factory, where twoscore women, with little hammers and
steel dies, beat pictures into cards; a furniture shop, where everything
old and artistic was sold, the Hôtel du Passage, and a bookbinder's
shop.
Each of the eight buildings facing the passage was ruled by a formidable
concierge, who had her dark little living apartments near the entrances.
These are the despots of the court, and their function is to make life
miserable for their lodgers. When they are not doing that they are
eternally scrubbing and polishing. They are all married. M. Mayé, _le
mari de notre concierge_, is a tailor. He sits at the window and mends
and sews all day long, or acts as concierge when his wife is away. The
husband of the concierge next door is a sergeant de ville at night, but
in the early mornings as, in a soiled blouse, he empties ash-cans, he
looks very unlike the personage dressed at night in a neat blue
uniform and wearing a short sword Another concierge's husband _fait des
courses_--runs errands--for sufficient pay.
[Illustration: 9030]
Public-domain text, read in full here on John Shaqi.
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