Bohemian Paris of To-day: Second EditionMorrow, W. C.
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Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
After the girl who had been posing was dismissed another took her place;
then another, and another, and others; and still others were waiting.
The girl beside me had been watching these proceedings with increasing
impatience. Some of the girls were so delighted that they threw their
arms round Bishop's neck and kissed him. Others called him endearing
names. At last it was evident that the dark girl could bear it no
longer. She had been growing harder and harder, more and more restless.
I continued to watch her narrowly,--she had forgotten my existence.
Gradually the natural rich color in her cheeks deepened, her eyes blazed
through the tangled hair, her lips were set. Suddenly, after a girl had
been more demonstrative than the others, she rose and confronted Bishop.
All this time he had not even looked at her, and that, while making me
uneasy, had made her furious.
We three were alone. True, we were observed by many, for invasions
by foreigners were very rare at the Moulin de la Galette, and we were
objects of interest on that account; and the sketching by Bishop had
sent our fame throughout the hall.
In a low, quiet voice the girl said to Bishop, as he looked up at her
wonderingly,--"You promised to draw mine long ago."
I had never seen my friend more embarrassed than he was at that moment.
He stumbled over his excuses, and then asked her to pose to suit her
fancy. He did it very gently, and the effect was magical. She sank
into her chair and assumed the indolently graceful pose that she had
unconsciously taken when she first seated herself. Bishop gazed at her
in silence a long time before he began the sketch; and then he worked
with a sure and rapid hand. After it was finished he handed it to her.
Instantly she was transfigured. She stared at the picture in wonder
and delight, her lips parted, her chest hardly moving from her nearly
suppressed breathing.
"Do I look like that?" she asked, suspiciously. Indeed, it was an
exquisite little piece of work, for Bishop had idealized the girl and
made a beautiful portrait.
"Did you not see me draw it while looking at you?" he replied, somewhat
disingenuously.
"Will you give it to me?" she asked, eagerly.
"Certainly."
"And will you sign your name to it?"
Bishop cheerfully complied. Then she took it, kissed it, and pressed it
to her bosom; and then, leaning forward, and speaking with a richness
and depth of voice that she had not betrayed before, and in the deepest
earnestness, said,--"_Je vous aime!_"
Public-domain text, read in full here on John Shaqi.
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