Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
Bishop, staggered by this forthright declaration of affection, blushed
violently and looked very foolish. But he rallied and assured her that
her love was reciprocated, for who, he asked, could resist so beautiful
a face, so warm a heart? If he had only known, if I could only have told
him! The girl sank back in her chair with a quizzical, doubting smile
that showed perfect white teeth and changed to bright dimples the
suggestion of a smile that fluttered at her mouth-corners. She carefully
folded the sketch and daintily tucked it away in her bosom.
Bishop had now quitted work,--Hélène had seen to that. She had moved her
chair close to his, and, looking him straight in the eyes, was rattling
away in the untranslatable argot of Montmartre. It is not the argot of
the slums, nor that of the thieves, nor that of the students, but that
of Montmartre; and there are no ways of expressing it intelligibly in
English. Presently she became more serious, and with all the coaxing
and pleading of which her ardent, impetuous nature was capable, she
begged,-- "Let me be your model. _Je suis bien faite_, and you can teach
me to pose. You will be kind to me. I have a good figure. I will do
everything, everything for you! I will take care of the studio. I will
cook, I will bring you everything, everything you want. You will let
me live with you. I will love no one else. You will never be sorry nor
ashamed. If you will only----" That is the best translation I can give;
it is certainly what she meant, though it indicates nothing of the
impetuosity, the abandon, the eagerness, the warmth, the savage beauty
that shone from her as she spoke.
Bishop rose to the occasion. He sprang to his feet. "I must dance after
that!" he exclaimed, catching her up, laughing, and dragging her upon
the floor. He could dance superbly. A waltz was being played, and it was
being danced in the stiff and stupid way of the people. Very soon Bishop
and Hélène began to attract general attention, for never before had
Montmartre seen a waltz danced like that. He reversed, and glided,
and threw into the queen of dances all the grace and freedom that it
demands. At first Hélène was puzzled and bewildered; but she was agile
both of mind and body, and under Bishop's sure guidance she put them to
excellent use. Rapidly she caught the grace and spirit of the waltz,
and danced with a verve that she had never known before. Swiftly and
gracefully they skimmed the length of the great hall, then back, and
wherever they went the dancers watched them with astonishment and
delight, and gradually abandoned their own ungraceful efforts, partly in
shame, partly in admiration, and partly with a desire to learn how the
miracle was done. Gradually the floor was wholly abandoned except for
these two, and all eyes watched them. Hélène was happy and radiant
beyond all ways of telling. Her cheeks were flushed, her eyes sparkled,
her lithe figure developed all the ease, grace, and suppleness of a cat.
Public-domain text, read in full here on John Shaqi.
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