Bohemianism -- Fiction; Love stories; Paris (France) -- Social life and customs -- 19th century -- Fiction
Thanks to the indiscretion of one of those officious friends who are
unable to retain unpublished news capable of vexing you, Rodolphe soon
got wind of the matter, and made it a pretext for breaking off with his
temporary mistress.
He then shut himself up in positive solitude, in which all the
flitter-mice of _ennui_ soon came and nested, and he called work to his
aid but in vain. Every evening, after wasting as much perspiration over
the job as he did in ink, he produced a score of lines in which some old
idea, as worn out as the Wandering Jew, and vilely clad in rags cribbed
from the literary dust heap, danced clumsily on the tight rope of
paradox. On reading through these lines Rodolphe was as bewildered as a
man who sees nettles spring up in a bed in which he thought he had
planted roses. He would then tear up the paper, on which he had just
scattered this chaplet of absurdities, and trample it under foot in a
rage.
"Come," said he, striking himself on the chest just above the heart,
"the cord is broken, there is nothing but to resign ourselves to it."
And as for some time past a like failure followed all his attempts at
work, he was seized with one of those fits of depression which shake the
most stubborn pride and cloud the most lucid intellects. Nothing is
indeed more terrible than these hidden struggles that sometimes take
place between the self-willed artist and his rebellious art. Nothing is
more moving than these fits of rage alternating with invocation, in turn
supplicating or imperative, addressed to a disdainful or fugitive muse.
The most violent human anguish, the deepest wounds to the quick of the
heart, do not cause suffering approaching that which one feels in these
hours of doubt and impatience, so frequent for those who give
themselves up to the dangerous calling of imagination.
To these violent crises succeeded painful fits of depression. Rodolphe
would then remain for whole hours as though petrified in a state of
stupefied immobility. His elbows upon the table, his eyes fixed upon the
luminous patch made by the rays of the lamp falling upon the sheet of
paper,--the battlefield on which his mind was vanquished daily, and on
which his pen had become foundered in its attempts to pursue the
unattainable idea--he saw slowly defile before him, like the figures of
dissolving views with which the children are amused, fantastic pictures
which unfolded before him the panorama of his past. It was at first the
laborious days in which each hour marked the accomplishment of some
task, the studious nights spent in _tete-a-tete_ with the muse who came
to adorn with her fairy visions his solitary and patient poverty. And he
remembered then with envy the pride of skill that intoxicated him of
yore when he had completed the task imposed on him by his will.
Public-domain text, read in full here on John Shaqi.
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