Bohemianism -- Fiction; Love stories; Paris (France) -- Social life and customs -- 19th century -- Fiction
"Oh, nothing is equal to you!" he exclaimed. "Voluptuous fatigues of
labor which render the mattresses of idleness so sweet. Not the
satisfaction of self-esteem nor the feverish slumbers stifled beneath
the heavy drapery of mysterious alcoves equals that calm and honest joy,
that legitimate self satisfaction which work bestows on the laborer as
a first salary."
And with eyes still fixed on these visions which continued to retrace
for him the scenes of bygone days, he once more ascended the six flights
of stairs of all the garrets in which his adventurous existence had been
spent, in which the Muse, his only love in those days, a faithful and
persevering sweetheart had always followed him, living happily with
poverty and never breaking off her song of hope. But, lo, in the midst
of this regular and tranquil life there suddenly appears a woman's face,
and seeing her enter the dwelling where she had been until then sole
queen and mistress, the poet's Muse rose sadly and gave place to the
new-comer in whom she had divined a rival. Rodolphe hesitated a moment
between the Muse to whom his look seemed to say, "Stay," whilst a
gesture addressed to the stranger said, "Come."
And how could he repulse her, this charming creature who came to him
armed with all the seductions of a beauty at its dawn? Tiny mouth and
rosy lips, speaking in bold and simple language, full of coaxing
promises. How refuse his hand to this little white one, delicately
veined with blue, that was held out to him full of caresses? How say,
"Get you gone," to these eighteen years, the presence of which already
filled the home with a perfume of youth and gaiety? And then with her
sweet voice, tenderly thrilling, she sang the cavatina of temptation so
well. With her bright and sparkling eyes she said so clearly, "I am
love," with her lips, where kisses nestled, "I am pleasure," with her
whole being, in short, "I am happiness," that Rodolphe let himself be
caught by them. And, besides, was not this young girl after all real and
living poetry, had he not owed her his freshest inspirations, had she
not often initiated him into enthusiasms which bore him so far afield in
the ether of reverie that he lost sight of all things of earth? If he
had suffered deeply on account of her, was not this suffering the
expiation of the immense joys she had bestowed upon him? Was it not the
ordinary vengeance of human fate which forbids absolute happiness as an
impiety? If the law of Christianity forgives those who have much loved,
it is because they have also much suffered, and terrestrial love never
became a divine passion save on condition of being purified by tears. As
one grows intoxicated by breathing the odor of faded roses, Rodolphe
again became so by reviving in recollection that past life in which
every day brought about a fresh elegy, a terrible drama, or a grotesque
comedy. He went through all the phases of his strange love from their
Public-domain text, read in full here on John Shaqi.
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