Actresses -- Fiction; Families -- Fiction; Foster children -- Fiction; Girls -- Fiction; Social classes -- Fiction
It was on Sunday mornings that she felt most keenly the lapse of the
neighborhood from former glories to a condition of sordid griminess.
It was on these mornings that she fared forth to the old church, only
three blocks away, in which the best people in town had formerly
worshipped, but which had been deserted by nearly all the old
parishioners.
It was Mrs. Baron’s contention that it was indelicate, to say the
least, for people to desert a church. There were things in the
church life, she maintained, which could not be transplanted, and
which constituted the very warp and woof of the domestic as well as
the social foundations. She had come to regard herself as a kind
of standard-bearer in this relationship, and she attended services
somewhat ostentatiously, with the belief that she was not only lending
her influence, but administering a rebuke as well. Ignoring the
protests of her family, she had even consented to play the organ for
the Sunday-school services. As a young lady she had learned to read
music, as a matter of course, and though she possessed no musical
intelligence, and had found it impossible to regain the old manual
skill she had once possessed, she played the simple hymns with a kind
of proud rigor, because she believed her participation in the services
in this direction must impart an authority to the proceedings which the
abler playing of some obscure individual could not have imparted.
Indeed, Mrs. Baron was a personage on Sunday mornings; a gallant
general leading a forlorn hope proudly and firmly.
When Flora confessed to her that the dress had been rejected, she was
too greatly amazed to say a great deal. She had also entered upon her
stoic mood--her Sunday-morning mood.
“You see, she is simply determined not to get along,” she declared
with finality. She took the dress into her own hands and regarded it
critically. “Do you see how carefully the feather-stitching is done?”
she demanded.
“Yes,” agreed Flora, “the--the feather-stitching _is_ beautiful. But
really, I don’t believe she is simply perverse. If you could have seen
the dismay in her eyes--” Flora smiled at the recollection.
“I’ve seen women like that,” Mrs. Baron continued, “women who like
to make difficulties; who go into hysterics over little things. It’s
always just a lack of sense--that’s all it is.”
“Yes--or temperament. I expect there’s a good deal in what people call
temperament. I didn’t know children had it so much, but Bonnie May
isn’t like other children. Maybe she has a good deal of temperament.”
They examined the dress together without any very definite purpose.
“She ought to know she can’t go on wearing that silly thing she came
here in,” was Mrs. Baron’s next comment.
“She must realize that,” agreed Flora. She added casually: “I think
something soft, with a little color in it, might please her. You might
let me try next time.”
This was the wrong note again. “As if I weren’t capable of making a
child’s dress!” protested Mrs. Baron.
Public-domain text, read in full here on John Shaqi.
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