Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
Another comfort taken by the dispossessed son of the mist is in hearing
the weather abused by strangers, who may as well stay at home under
shelter of their Twopenny Tubes and Burlington Arcades if they are
afraid of rain. Dr. Johnson was not, and a gentler critic of his time
observed that the Highlanders minded snow “no more than hair powder.” In
the warm south of England, I once caught a cold which stuck to me all
summer and seemed like to settle on my lungs. Late in autumn, in a kill
or cure mood, I went down to the dampest side of the Highlands, got wet
from morning to night, and in a week my cough had gone like dew from the
heather. But nature’s hydropathy does not always work so well, even on
seasoned constitutions. The severest loss of our Volunteer force, as
yet, on British soil, has been from that soaking royal review at
Edinburgh, when Highlanders were killed and crippled by a long railway
journey in drenched clothes, even though at the way-stations matron
[Illustration: RIVER AWE FLOWING TO LOCH ETIVE, ARGYLLSHIRE]
and maid brought them patriotic offerings of dry hose, with which at
least to “change their feet.”
Now let us turn to the tourist, who has neither lust nor license to
ruffle the least feather of grouse or gull, but calls forth angry
passions when his red guide-book or her sunshade come scaring the prey
stalked by lords of Cockaigne and Porkopolis. He and she, by coveys,
swarm in various directions from Inverness, but chiefly by the
Caledonian Canal, that highroad of pleasure, as once of business,
between the North and the South Highlands. Had we seen this road “before
it was made,” we should find little difference to-day, unless for a few
more modern mansions that have swallowed up many a lowly home, still,
perhaps, marked by patches of green about the ruined mountain shielings
where, as on Alpine pastures, Highland _Sennerin_ made butter and cheese
through the long summer days. A steamboat carries one right through the
Great Glen, beneath mountain giants, clad in nature’s own tartan of
green and purple chequered by brown and grey, with bare knees of crag,
and streaming sporrans of cascade, and feathers of fir-wood, too often
wrapped in a plaid of mist, or hidden by a mackintosh of drenching rain.
Else, against the clear sky-line, one may catch sight of a noble stag on
the hill head, displayed like its crest, sniffing motionless at the
steamer far below, unconscious of an unseen enemy stealing up the
rearward corrie with heart athrob for his blood, which, at the pull of a
trigger, may or may not stain the heath.
Public-domain text, read in full here on John Shaqi.
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