Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
From its port below Craig Phadric, believed to have been the stronghold
of a king older than Duncan, then past the hill bearing his name, the
Canal soon takes us through the fertile strath into the wilder
Highlands. The first stage of that grand panorama is through deep Loch
Ness, where on one side Mealfourvonie towers like a hayrick, round which
goes the way to those remote Falls of Glomach, called the noblest in
Britain, and on the other are more easily reached the Falls of Foyers,
chained and set to work by an Aluminium Company that did not tremble at
the rhapsody of Christopher North:--
“Here is solitude with a vengeance--stern, grim, dungeon solitude!
How ghostlike those white, skeleton pines, stripped of their rind
by tempest and lightning, and dead to the din of the raging
cauldron! That cataract, if descending on a cathedral, would
shatter down the pile into a million of fragments. But it meets the
black foundations of the cliff, and flies up to the starless heaven
in a storm of spray. We are drenched, as if leaning in a hurricane
over the gunwale of a ship, rolling under bare poles through a
heavy sea. The very solid globe of earth quakes through her
entrails. The eye, reconciled to the darkness, now sees a
glimmering and gloomy light--and lo, a bridge of a single arch hung
across the chasm, just high enough to let through the triumphant
torrent. Has some hill-loch burst its barriers? For what a world of
waters come now tumbling into the abyss! Niagara! hast thou a
fiercer roar? Listen--and you think there are momentary pauses of
the thunder, filled up with goblin groans! All the military
music-bands of the army of Britain would here be dumb as
mutes--Trumpet, Cymbal, and the Great Drum! There is a desperate
temptation in the hubbub to leap into destruction. Water-horses and
kelpies, keep stabled in your rock-stalls--for if you issue forth
the river will sweep you down, before you have finished one neigh,
to Castle Urquhart, and dash you, in a sheet of foam, to the top of
her rocking battlements.... We emerge, like a gay creature of the
element, from the chasm, and wing our way up the glen towards the
source of the cataract. In a few miles all is silent. A more
peaceful place is not among all the mountains. The water-spout that
had fallen during night has found its way into Loch Ness, and the
torrent has subsided into a burn. What the trouts did with
themselves in the ‘red jawing speat’ we are not naturalist enough
to affirm, but we must suppose they have galleries running far into
the banks, and corridors cut in the rocks, where they swim about in
water without a gurgle, safe as golden and silver fishes in a
glass-globe, on the table of my lady’s boudoir. Not a fin on their
backs has been injured--not a scale struck from their starry sides.
Public-domain text, read in full here on John Shaqi.
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