Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
Aberfoyle, on the banks of the “infant Forth,” its nursery name the Avon
Dhu, “Blackwater,” haunted like a child’s dreams by fairies of whom
prudent Bailie Nicol Jarvie spoke under his breath, though he professed
to hold them as “deceits of Satan.” Here the change-house of Lucky
M‘Alpine has been replaced by an hotel offering all the comforts of the
Saltmarket, along with golf links and fishing at Loch Ard. As Ipswich
shows the very room in the White Hart occupied by Mr. Pickwick and the
green gate at which Sam Weller met Job Trotter, so among the lions here
are the ploughshare valiantly handled by Bailie Nicol Jarvie, nay, even
the identical bough from which he swung suspended by his coat tails.
Such relics let one guess why that worthy citizen would not give “the
finest sight in the Hielands for the first keek o’ the Gorbals of
Glasgow!” But he might have taken another view had he seen the great
slate quarries that now scar the braes of Aberfoyle, or that
pleasure-house on Loch Katrine set apart for Glasgow magistrates to
disport themselves at the source of their city’s water supply.
From Aberfoyle or from Callander, the rest of the journey is by road to
the Trossachs Hotel, which seems to represent Fitz-James’s imagination
of “lordly tower” or “cloister grey”; then on through the mile of
bristling pass to the foot of Loch Katrine. How many a peaceful stranger
has passed this way since the Knight of Snowdoun’s steed here “stretched
his stiff limbs to rise no more”! What “cost thy life, my gallant grey”
would be the fact that even in the poet’s day, the path to Ellen’s Isle
was more like a ladder than a road. Now the danger most to be feared is
from Sassenach cycling, which caused a coach accident in the vicinity a
few years ago. Umbrellas had replaced claymores so far back as
Wordsworth’s time; and waterproofs are the armour most displayed, where
once
Refluent through the pass of fear
The battle’s tide was pour’d;
Vanish’d the Saxon’s struggling spear,
Vanish’d the mountain-sword.
As Bracklinn’s chasm, so black and steep,
Receives her roaring linn,
As the dark caverns of the deep
Suck the wild whirlpool in,
So did the deep and darksome pass
Devour the battle’s mingled mass:
None linger now upon the plain,
Save those who ne’er shall fight again.
Public-domain text, read in full here on John Shaqi.
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