Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
Simon, as we know, lived close to the royal lodging, which, after the
destruction of the castle, was wont to be thriftily taken in the great
monastery of Blackfriars, now represented only by the names of a house
and a street. In it were enacted stirring scenes of history as well as
of fiction, its darkest tragedy the murder of James I. on a February
night of 1437. Handsome, brave, a scholar and poet, with the advantage
of an involuntary English education, in quieter times this king might
have shown himself the best of the Stuarts. He had the welfare of the
people at heart, and on his return from the captivity in which he spent
his boyhood, tried to bring some degree of order among the lawless feuds
of his barons, using against them indeed high-handed and crooked means
that were the statecraft of the age. Thus he roused fell enemies who
were able to take him unawares, though the story goes that, like
Alexander and Cæsar, he had warning from an uncredited seer. Betrayed by
false courtiers, he was retiring to bed when the monastery rang with the
tramp and cries of the fierce Highlandmen seeking his blood. While the
queen and her ladies tried to defend the door, Catherine Douglas giving
her broken arm, says the legend, as a bar, James tore up the flooring
and let himself down into a drain which he had, unluckily, blocked up a
few days before, since in it his tennis balls got lost. There he was
discovered by the conspirators, and after a desperate struggle their
leader, Sir Thomas Graham, stabbed him to death. Not a minute too soon,
for already the good burghers were roused to the rescue, and the
regicides had some ado to spur off to the Highlands, safe only for a
time, the principal criminals being taken for tortures that horrified
even their cruel contemporaries.
Public-domain text, read in full here on John Shaqi.
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