Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
Most charming are the walks by the Highland streams that at Crieff fall
into the Earn; and tempting the longer excursions on which brakes carry
off sociable parties from the Hydropathic. The railway takes us on up
Strathearn to Comrie, a still more beautiful resort lying on a rich
plain between the wooded heights of Glen Lednock and “lone Glenartney’s
hazel shade,” by which one might tramp across to Callander, from the
basin of the Tay into that of the Forth. A prosaic critic observes that
there is no hazel shade in this glen; but the poet always declined to
“swear to the truth of a song.” There is no spot in Scotland that so
well unites lush Lowland charms with rugged features as Comrie; and it
prides itself on being the only spot in Britain troubled by earthquakes,
several slight shocks sometimes being felt in a year, which may bring a
stone wall tumbling down, while scaring wild fowl, making the trout
leap in the burns, fluttering the poultry yard and rattling the plates
in the goodwife’s kitchen.
A few miles higher up, the Earn debouches from its Loch at St. Fillans,
near which “the stag at eve had drunk his fill” before being roused by
Fitz-James’s hounds. I once made his day’s course mainly on foot, but by
a more arduous line over the top of Ben Voirlich, and moreover without
any breakfast till I came upon a shepherd’s shanty in the afternoon;
then instead of being welcomed at eve by any Lady of the Lake, I found
every bed full at the Trossachs Hotel, as may often be the lot of weary
wight in this much-toured district. Loch Earn, hitherto a quiet
backwater in the stream of travel, has lately been thrown open by a
railway, at its head bringing one to the Oban line from Callander, whose
lights are now the fiery cross that “glance like lightning up
Strath-Ire.”
In the other direction, a road from Crieff goes by the Sma’ Glen to
Dunkeld, the gate of the mountains for the Highland Railway. This
resort, as tourists know, is a kind of Perthshire Buda-Pesth, the old
town of Dunkeld being on the left bank of the Tay, while the station is
at Birnam on the other side. Village seems a fitter title for Dunkeld
than town, yet it might claim to be a city in right of its Cathedral,
whose choir is still the parish church. This is an ancient sanctuary to
which in part was transplanted the influence of ruined Iona. Gavin
Douglas, the translator of Virgil, was bishop here, but came to die of
the plague in London. With Dunkeld also is connected the memory of Neil
Gow, first of three generations of fiddlers who for Scotland’s artless
tunes did what Burns, Lady Nairne, and other writers did for its
songs.
[Illustration: THE FALLS OF TUMMEL, PERTHSHIRE]
Public-domain text, read in full here on John Shaqi.
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