Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
The Cathedral, as well as the Falls of Braan, the Rumbling Bridge and
other lions are in the grounds of the Duke of Atholl, _the_ Duke of this
part of the world. The Duke of fifty years ago was a “character” who
might be styled the last of the great Highland chiefs. This generation
may have forgotten the sensation caused by his trying to shut the way
through Glen Tilt, and his personal encounter with two Cambridge
undergraduates, who got the best of the scrimmage. Among Leech’s most
effective sketches in _Punch_ were that “Ducal Dog in the Manger” and
the cartoon in which His Grace appeared playing the part of Roderick Dhu
to the young Sassenachs. It was said that the Duke took his revenge on
the artist by inviting him to shoot, the highest honour that can be
hoped for in that part of the world; and in the end the pass was opened
by a chieftain “so late dishonoured and defied.”
Since his day the champion obstructionist of this district was the
veteran Sir Robert Menzies, who lately died much respected in the
Rannoch country, in spite of an extraordinary itch for litigation, with
his own family as well as with strangers. His most famous “ganging law
plea” perhaps was with a railway company that, by the hands of
half-a-dozen porters, had dragged the chieftain out of a carriage in
which his ticket did not entitle him to ride. The fate of a reverend
English tourist who landed from Loch Rannoch on his grounds was told
with a shudder; and I must be thankful for my own escape when caught in
the act of more than barefaced trespass in bounds where stranger was not
always “a holy name.” With a friend of mine, in our hot youth, I had
gone in to swim, when on the lake bank we heard a stern voice and
looked back to see Sir Robert’s tartans waving over our clothes. Thus
“at advantage ta’en,”
I dare not say that now _our_ blood
Kept on its wont and tempered flood
But the “dangerous chief,” seeing nothing in our Arcadian innocence to
chafe his mood or cloud his brow, turned off with a courteous
salutation--“Doubt not aught from mine array!”--and the sun’s next
glance shone “on bracken green and cold grey stone.”
Across the Tay from Dunkeld, in the old duke’s time, reigned an
eccentric laird, to whose taste for building are due the baronial Birnam
Hotel and other costly structures in the neighbourhood. Mrs. Oliphant
hangs the scenes of a novel about his own empty and unfinished mansion;
and the chief building among the woods of Murthly is now an Asylum. As
for Birnam Wood, that has long marched off the face of the earth, to
bear out the truth of Shakespeare’s legend; but one or two ancient trees
are pointed out as stragglers. Birnam was a favourite haunt of Millais,
a keen sportsman as well as lover of the scenery which forms oases in
the later stage of his art, when he seemed too much concerned to boil
that large pot in Palace Gate.
Public-domain text, read in full here on John Shaqi.
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