Book Collecting: A Guide for Amateurs — John Shaqi
Book Collecting: A Guide for AmateursSlater, J. Herbert (John Herbert)
History
Book Collecting: A Guide for Amateurs
Slater, J. Herbert (John Herbert)
Book collecting
Another point to be observed in the purchase of very expensive and
valuable works is, that none of the leaves have been fac-similed. These
fac-similes are done by hand, and frequently so well that they cannot be
detected without the aid of a strong glass. The late Henry Stevens tells
a good story of a customer of his--Mr. Lenox, of New York, the founder
of the Lenox Library, and a most indefatigable collector up to the last
hour of his life. "Mr. Lenox was," says Stevens, "principled against
raffles, wagers, lotteries, and games of chance generally, but I once
led him into a sort of bet in this way, by which I won from him L4. I
had acquired a fair copy of that gem of rare books, the quarto edition
of _Hariot's Briefe and True Report of the New Found Land of Virginea_
(London, Feb., 1588), wanting four leaves in the body of the book. These
I had very skilfully traced by Harris, transferred to stone, printed off
on old paper of a perfect match, the book and these leaves sized and
coloured alike, and bound in morocco by Bedford. The volume was then
sent to Mr. Lenox to be examined by him _de visu_, the price to be L25;
but, if he could detect the four fac-simile leaves, and would point
them out to me without error, the price was to be reduced to L21. By the
first post, after the book was received, he remitted me the 20 guineas,
with a list of the fac-similes, but on my informing him that two of
_his_ fac-similes were originals, he immediately remitted the four
pounds, and acknowledged his defeat."
This Harris, whose name is prominently mentioned, was probably the
greatest adept at this species of imitation who ever lived, and many
important but defective works, now in the British Museum, left his
hands, to all appearance, in first-rate order and condition.
"Laying down" is a technical term used to express the process of
re-backing a torn plate or engraving. Many of the Shakespeare folios
have the portrait and verses by Ben Jonson laid down or "re-laid," as
the catalogues generally describe it. This, of course, can be detected
at a glance, and it may be stated positively that a laid-down plate,
frontispiece, or title is looked upon as a serious blemish, inferior
only to the entire absence of one or more of the three.
Worm-holes, stains, fox-marks, and other flaws also detract from value;
but as many of these may be removed by a judicious application of proper
remedies, a special chapter will be reserved for their consideration.
The market value of a book is thus composed of many elements, the chief
of which is "condition"--above all things, a broad margin, and next, to
that, leaves of spotless white.
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