Greek drama (Tragedy) -- Translations into English
_Episode III_. The Cyclops appears sated with his banquet, and
settling down to this new treat of drinking--the effects of on-coming
intoxication are painted again in Polyphemus, with the usual
coarseness--a farcical climax being reached when the monster begins to
be affectionate to his cup-bearer, old Silenus, in memory of Zeus and
his famous cup-bearer, Ganymede.
_Choral Ode_: Anticipation of Revenge.
_Exodus_. The plan of Revenge, the boring out of the Cyclops's one eye
while overpowered with drink, is carried out--various farcical effects
by the way, e.g., the Chorus drawing back with excuses and leaving
Ulysses to do the deed at the critical moment. The Drama ends with the
Monster's rage and vain attempts to catch the culprit, Ulysses putting
him off with his feigned name 'No man': thus all are delivered.
THE BACCHANALS OF EURIPIDES[1]
PROLOGUE
_The permanent scene covered by movable scenery representing a wide
landscape--the valley of the Dirce. A pile of buildings occupies the
middle, to which the central entrance is an approach: these are the
Cadmeia and royal palaces. That on the left is the palace of Pentheus,
and further to the left is the mystic scene of Bacchus's birth--a heap
of ruins, still miraculously smouldering, and covered by trailing
vines. On the right is the palace of Cadmus, and the scene extends to
take in the Electron gate of Thebes, and (on the right turn-scene) the
slopes of Cithaeron._
DIONYSUS enters, in mortal guise, through the distance archway, and (in
formal prologue) opens the situation. He brings out the points of the
landscape before him, dear as the site of his miraculous birth and the
sad end of his mortal mother. Then he details the Asiatic realms
through which he has made triumphant progress, Lydia, Phrygia,
sun-seared Persia, Bactria; the wild, wintry Median land; Araby the
Blest, and the cities by the sea; everywhere his orgies accepted and
his godhead received. Now for the first time he has reached an
Hellenic city: and here--where least it should have been--his divinity
is questioned by his own mother's sisters who make the story of his
birth a false rumor, devised to cover Semele's shame, and avenged by
the lightning flash which destroyed her. To punish his unnatural kin
he has infected all their womenkind with his sacred phrensy, and
maddened out of their quiet life, they are now on the revel under the
pale pines of the mountain, unseemly mingled with the sons of Thebes:
so shall the recusant city learn her guilt, and make atonement to him
and his mother. Pentheus, it seems, is the main foe of his godhead,
who reigns as king over Thebes, the aged Cadmus having yielded the
sovereignty in his lifetime to his sister's son: he repels Bacchus from
the sacred libations, nor names him in prayer. So he and Thebes must
learn a dread lesson, and then away to make revelation in other lands.
As to force, if attempt is made to drive the Maenads from the
Public-domain text, read in full here on John Shaqi.
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