There is a curious advertisement, quoted by Thomas Moule in his
_Bibliotheca Heraldica_, of a certain Joseph Barber, a Newcastle-on-Tyne
'bookseller, music and copper-plate publisher,' who, in 1742, resided in
'Humble's Buildings.' In that year he engraved the 'Equestrian Statue of
King James [II.],' which once stood in the Sandhill Market. If a
moment's digression be allowed, the history of this statue is worth
telling. On 16th March 1685, the Town Council voted £800 for the
erection of 'a figure of His Majesty in a Roman habit, on a capering
horse, in copper, as big as the figure of His Majesty, King Charles I.,
at Charing Crosse, on a pedestal of black marble.' A certain Mr. William
Larson executed it; Sir Christopher Wren expressed his approval, and
everybody was very pleased, for a year or two. But popular feeling soon
changed in Newcastle, as elsewhere, and the prevalence of sentiments
which threw the king off his throne threw his metal representation into
the Tyne, where it rested till fished out to be melted down and used to
make a set of church bells. The drawing of the luckless statue was safe
in the keeping of Sir Hans Sloane; and from this, Barber made his
engraving, which he sold for 5s. The fact that in 1742, three years
before the second Scotch rebellion, this Newcastle printseller found it
worth while to issue the engraving at all, is not without political
significance. With his engraving, Barber issued two large plates of the
arms of all the subscribers to it, each coat of arms being 1-3/4 inches
in length, and 1-1/4 inches in breadth; and a few years later, it seems
to have occurred to him that he might turn an honest penny by cutting up
these large sheets of the subscribers' arms, so that each coat of arms
became a separate plate. Having done this, he issued an advertisement to
the subscribers, in which he sets forth that he is 'the sole proprietor
of each of their plates,' and is willing to part with it, to the lady or
gentleman whose arms are engraved thereon, 'together with one hundred
prints of it on a good paper,' for the modest sum of half-a-crown. These
plates, suggests Mr. Barber, might be advantageously used as what we now
call book-plates, and he continues: 'The design of this proposal is a
useful and necessary embellishment, and a remedy against losing books by
lending, or having them stolen; by pasting one print on the inside of
the cover of each book, you have the owner's name, coat of arms, and
place of abode; a thing so useful and the charge so easy, 'tis hoped
will meet with encouragement. To have a plate engraved will cost 10_s._
6_d._'
Public-domain text, read in full here on John Shaqi.
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