Between 1670 and 1680 quite a number of book-plates were designed,
evidently by the same man. The work is feeble, but it is very distinct.
The most interesting of these book-plates, from its possessor, is that
of Samuel Pepys. Altogether, I know of eight examples: Charles Pitfield,
Sir Robert Southwell, William Wharton, Sir Henry Hunloke, Samuel Pepys,
Justinian Pagit, Walter Chetwynd, and Randolph Egerton.
A point of interest about them all is that, as well as expressing
heraldically the blazon of the different shields, they also indicate
with an initial letter the colour intended to be shown: 'a' for argent,
'g' for gules, and so on. The initial of the heraldic term is used in
every case except that of 'azure,' when 'b' for blue is used; 'a,' as we
have seen, standing for argent.
Though they differ in the arrangement of the mantling, there can be
little doubt that all these book-plates are by the same hand, and that
whoever engraved the plates in Blome's _Gwilim_, engraved these also.
The book-plate of 'Fettiplace Nott,' which bears the date 1694, is a
fair type of the book-plate that was in use in England for the next
twenty years; indeed, these might all be the work of half a dozen
artists.
[Illustration: BOOK-PLATE OF THE ST. ALBANS GRAMMAR SCHOOL, SEVENTEENTH
CENTURY.]
I have not yet mentioned a very numerous and very uninteresting class of
early English book-plates--I mean those which are nothing more than
'name-tickets'--the owner's name and date printed within a border more
or less ornate. These occur quite early in the seventeenth century, and
run all through it. Of course, it may be that the owner is an
interesting person, and then his or her name-ticket becomes interesting
by reflection, but in themselves these tickets are merely dull. Of
English Armorial plates, I have referred in detail to the majority of
those bearing an engraved date--when that date is not obviously
misleading--prior to the year 1698. I have also spoken of several,
though by no means all, of the undated examples, which have been proved
to belong to the seventeenth century. To this second list a patient
working out of the internal evidence on early-looking, but undated,
book-plates would, no doubt, add very considerably; and the
illustrations, verbal and otherwise, that I have given may, I hope, be
sufficient to indicate the kind of book-plates that are worth such
investigation.
Public-domain text, read in full here on John Shaqi.
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