Allegory also appears in the two book-plates engraved by Sir Robert
Strange about the middle of the eighteenth century; those of his
brother-in-law, Andrew Lumisden, secretary to Prince Charlie, and of a
Dr. Thomas Drummond. The circumstances under which the former was
engraved have been already referred to (p. 11). It is a sombre
book-plate, showing us, before a dark background, a slab with a bust at
either end; 'Cupid' plays on the ground before the centre of the slab;
the Lumisden arms are on a shield that lies in the left-hand corner; and
a heavy curtain hangs over the upper part of the design, which is signed
'_R. Strange, sculpt._'
Dr. Drummond's book-plate (see p. 89) is a less heavy, but not so
finished a production, and is drawn by T. Wale: Aurora soars at the top
of the design, and with her left hand pulls aside a curtain, thus
disclosing a view of the doctor's library. In the centre is placed a
table covered with cloth, except at the right-hand corner; here the
drapery is raised so as to display the ornate workmanship of the
table-leg. On the cloth are a number of books, some music, and a flute;
before the table a globe, and, leaning against that, a violoncello. The
general decoration of the room is classical, and busts and statues are
introduced, though not with sufficient detail to be recognisable. In
Aurora's right hand is a flaming torch, held in dangerous proximity to
the curtain.
After the date of these two plates comes another long interval--twenty
years or so--before we reach the next truly Allegoric book-plate
designed in England. We then find a decidedly graceful piece of work. A
hooded Sibyl, seated at the foot of a pyramid, peruses attentively an
open volume. She leans her cheek upon her right hand, whilst the left
rests upon the book. A caduceus, against which rests a shield of arms,
lies at her feet. The whole is contained in an oval wreath of berried
laurel. Below is written: 'E libris Joh[=i]s Currer de Kildwick, Arm.'
This book-plate was afterwards altered for 'Danson Richardson Currer, de
Gledston, Ar[=m],' and an inferior copy was used by a certain R. H.
Alexander Bennet; this is a much commoner book-plate than the Currer--in
either form.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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