Charles Lamb was a small, flat-footed man whose eyes were of different colours and who stammered. He nevertheless leaves on many of his readers the impression of personal beauty. De Quincey has told us that in the repose of sleep Lamb’s face “assumed an expression almost seraphic, from its intellectual beauty of outline, its childlike simplicity, and its benignity.” He added that the eyes “disturbed the unity of effect in Lamb’s waking face,” and gave a feeling of restlessness, “shifting, like Northern lights, through every mode of combination with fantastic playfulness.” This description, I think, suggests something of the quality of Lamb’s charm. There are in his best work depths of repose under a restless and prankish surface. He is at once the most restful and the most playful of essayists. Carlyle, whose soul could not find rest in such quietistic virtue as Lamb’s, noticed only the playfulness and was disgusted by it. “Charles Lamb,” he declared, “I do verily believe to be in some considerable degree insane. A more pitiful, rickety, gasping, staggering, stammering tomfool I do not know. He is witty by denying truisms and abjuring good manners.” He wrote this in his Diary in 1831 after paying a visit to Lamb at Enfield. “Poor Lamb!” he concluded. “Poor England, when such a despicable abortion is named genius! He said: ‘There are just two things I regret in England’s history: first, that Guy Fawkes’ plot did not take effect (there would have been so glorious an _explosion_); second, that the Royalists did not hang Milton (then we might have laughed at them), etc., etc.’ _Armer Teufel!_”