His life, like the pet pig’s, was not real, and it certainly was not
earnest. He spent the best part of his youth mourning over the brevity
of life, and he lived till he was comfortably over eighty. He was an
Epicurean, indeed, in the vulgar sense of the word, whose dominant
theme was the mortality of pretty things. For Herrick gives us the
feeling that for him the world was a world of pretty things rather than
of beautiful things. He was the son of a goldsmith in Cheapside, and
himself served an apprenticeship to the trade. The effect of this may,
I think, be seen in his verse. His spiritual home always remained in
Cheapside rather than in the Church which he afterwards entered. He
enjoyed the world as though it were a street of shops. To read him is
to call at the florist’s and the perfumer’s and the milliner’s and the
jeweller’s and the confectioner’s and the vintner’s and the fruiterer’s
and the toy-seller’s. If he writes, as he proclaims, of bridegrooms
and brides, he does not forget the bride’s dress or the bride’s cake.
His very vision of Nature belittles it to the measure of “golden
Cheapside.” He begins _Fair Days_ with the lines:
Fair was the dawn; and but e’en now the skies
Show’d like rich cream, enspir’d with strawberries.
If he invites Phyllis to love him and live with him in the country, he
reduces the hills for her to the size of bric-à-brac:
Thy feasting-tables shall be hills
With daisies spread, and daffodils.
He was one of those happily constituted men who can get pleasure from
most things, and it is obvious that he got a great deal of pleasure
from his life in Devonshire, where he was Vicar of Dean Prior, till
he was ejected after the triumph of Cromwell in the Civil War. But
his heart was never in Devonshire. There is no mirror of Devonshire
in his verse. He was a censorious exile amid beauty of that sort, and
could have had all the flowers and country scenes he cared for within
an hour’s walk of the shop in Cheapside. He speaks in one of his poems
of “this loathed country-life,” and in the verses called _Dean-bourn,
a rude River in Devon, by which he sometimes dwelt_, he bids the river
farewell, and expresses the hope that he will never set eyes on its
“warty incivility” again:
To my content, I never should behold,
Were thy streams silver, or thy rocks all gold.
Rocky thou art, and rocky we discover
Thy men, and rocky are thy ways all over.
O men, O manners, now and ever known
To be a rocky generation!
A people currish, churlish as the seas,
And rude almost as rudest savages.
There is no missing the sincere unappreciativeness of these lines. The
best that he can say of Devon is not that it is beautiful but that he
wrote some good verses in it:
Public-domain text, read in full here on John Shaqi.
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