Books and Habits, from the Lectures of Lafcadio HearnHearn, Lafcadio
History
Books and Habits, from the Lectures of Lafcadio Hearn
Hearn, Lafcadio
English literature -- History and criticism; Literature -- History and criticism; Poetry -- History and criticism
The second of the three promised quotations shall be from Robert Browning.
There is one feeling, not often touched upon by poets, yet peculiar to
lovers, that is here treated--the desire when you are very happy or when
you are looking at anything attractive to share the pleasure of the moment
with the beloved. But it seldom happens that the wish and the conditions
really meet. Referring to this longing Browning made a short lyric that is
now a classic; it is among the most dainty things of the century.
Never the time and the place
And the loved one all together!
This path--how soft to pace!
This May--what magic weather!
Where is the loved one's face?
In a dream that loved one's face meets mine,
But the house is narrow, the place is bleak
Where, outside, rain and wind combine
With a furtive ear, if I try to speak,
With a hostile eye at my flushing cheek,
With a malice that marks each word, each sign!
Never can we have things the way we wish in this world--a beautiful day, a
beautiful place, and the presence of the beloved all at the same time.
Something is always missing; if the place be beautiful, the weather
perhaps is bad. Or if the weather and the place both happen to be perfect,
the woman is absent. So the poet finding himself in some very beautiful
place, and remembering this, remembers also the last time that he met the
woman beloved. It was a small dark house and chilly; outside there was
rain and storm; and the sounds of the wind and of the rain were as the
sounds of people secretly listening, or sounds of people trying to look in
secretly through the windows. Evidently it was necessary that the meeting
should be secret, and it was not altogether as happy as could have been
wished.
The third example is a very beautiful poem; we must content ourselves with
an extract from it. It is the memory of a betrothal day, and the poet is
Frederick Tennyson. I suppose you know that there were three Tennysons,
and although Alfred happened to be the greatest, all of them were good
poets.
It is a golden morning of the spring,
My cheek is pale, and hers is warm with bloom,
And we are left in that old carven room,
And she begins to sing;
The open casement quivers in the breeze,
And one large musk-rose leans its dewy grace
Into the chamber, like a happy face,
And round it swim the bees;
* * * * *
I know not what I said--what she replied
Lives, like eternal sunshine, in my heart;
And then I murmured, Oh! we never part,
My love, my life, my bride!
* * * * *
And silence o'er us, after that great bliss,
Fell like a welcome shadow--and I heard
The far woods sighing, and a summer bird
Singing amid the trees;
The sweet bird's happy song, that streamed around,
The murmur of the woods, the azure skies,
Were graven on my heart, though ears and eyes
Marked neither sight nor sound.
Public-domain text, read in full here on John Shaqi.
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