Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. IPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. I
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
Another letter, written a century and a half later, makes reference
to the practice of exchanging books or of using them as pledges. A
prior writes to an abbot in 1150: “To his Lord, the Venerable Abbot
of---- wishes health and happiness. Although you desire to have the
books of Tully, I know that you are a Christian and not a Ciceronian.
But you go over to the camp of the enemy not as a deserter, but as
a spy. I should, therefore, have sent you the books of Tully which
we have, _De Re Agraria_, the Philippics, and the Epistles, but that
it is not our custom that any books should be lent to any person
without good pledges. Send us, therefore, the _Noctes Atticæ_ of Aulus
Gellius and Origen on the Canticles. The books which we have just
brought from France, if you wish for any of them, I will send you.”
The Abbot replies at the end of a long letter: “I have sent you as
pledges for your books, Origen on the Canticles, and instead of Aulus
Gellius (which I could not have at this time), a book which is called
_Strategematon_, which is military.”[207]
The custom of securing books by chains, which prevailed with the
libraries of all the earlier religious institutions, did not originate
with these. Eusebius mentions that the Roman Senate in the time of
Claudius ordered the treatise of Philo Judæus on the Impiety of
Caligula to be chained in the library as a famous monument. There
appears to have been an early appreciation on the part of certain of
the monastery scholars of the importance of indexes. Fosbroke quotes
among others the example of John Brome, Prior of Gorlestone, who, in
the fifteenth century, put indexes to almost all the books in his
library. From an examination of the catalogues of various of the
ecclesiastical libraries, Fosbroke arrives at the calculation that the
proportion of the works contained under the several main sub-headings
was approximately as follows: Divinity, 175; scholastic literature,
89; epistles and controversial literature, 65; history, 54; biography,
32; arts, mathematics, and astrology, 31; philosophy, 13; law, 6.[208]
This classification does not give any separate heading for allegory,
although this was a subject in which not a few of the earlier monkish
writers largely interested themselves.
As an example of monkish allegorical literature, Fosbroke mentions a
work written in 1435, under the instructions of a cloth shearer in
France, whose name he does not give. The cloth cutter, being a great
lover of tennis, had written a ballad upon that game. When he was
old, he wished to atone for his early sins and frivolities, and he
secured the services of a Dominican monk, who wrote, at his instance
and expense, an allegory on the game of tennis. The wall of the tennis
court stood for faith, which should always rest on a solid foundation,
while in the other conditions of the game the Dominican finds the
cardinal virtues, the evangelists, active and contemplative life, the
old and the new law, etc.
Public-domain text, read in full here on John Shaqi.
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