Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. IPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. I
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
In the thirteenth century, Omons, who might be described as the
Lucretius of his day, wrote a work entitled _The Picture of the World_,
from which one could gather an impression of the character of the
philosophy of the early Middle Ages. In the department of metaphysics,
Omons (using largely material borrowed from Thales, Anaxagoras,
Epicurus, and Plato) described God as comparatively an idle being, and
speaks of Him as having at the time of creating Matter also created
Nature. Nature executed the will of God as an axe executes the will of
the carpenter; it sometimes, however, through want or excess of matter,
produces deformities.
The Liberal Arts, Omons divides under the usual septenary
arrangement, which is adopted as early as the fifth century by Capella.
Omons makes mathematics, however, not a mere science of numbers, but
the knowledge of everything that is produced in any regular order
whatever, while rhetoric includes judicial verdicts, decretals, laws,
etc. The term “liberal” he applied only to an art which explicitly
appertained to the mind; and therefore, medicine, painting, sculpture,
navigation, the military art, architecture, etc., although in their
theories as intellectual as are mathematics and astronomy, were,
because applicable to bodily purposes, denominated trades. The term
“philosopher” means only men versed in the occult sciences of nature,
and among the later philosophers Omons held no one so eminent as
Virgil. This was not the Bard of Mantua, but an ugly little Italian
conjurer, who, during the tenth century, had performed various feats of
legerdemain.
When Peter of Celle had borrowed two volumes of S. Bernard’s works,
he wrote to him: “Make haste and quickly copy these and send them to
me; and according to my bargain, cause a copy to be made for me, and
both those which I have sent to you, and the copies, as I have said,
send to me, and take care that I do not lose a single tittle.” Writing
to the Dean of Troyes, he says: “Send me the Epistles of the Bishop
of Le Mans, for I want to copy them”; and, indeed, he seems to have a
constant eye to the acquisition and multiplication of books.[209]
As to this _commercium librorum_, it would be easy, says Maitland, to
multiply examples. In a letter of the Abbot Peter to Guigo, Prior of
Chartreuse, he mentions that he had sent him the Lives of S. Nazianzen
and S. Chrysostom, and the argument of S. Ambrose against Symmachus.
That he had not sent the work of Hilary on the Psalms because his copy
contained the same defect as the Prior’s. That he did not possess
_Prosper against Cassius_, but that he had sent to Aquitaine for a
copy. He begs the Prior to send the greater volume of S. Augustine,
containing the letters which passed between him and S. Jerome, because
a great part of their copy, while lying in one of the cells, had been
eaten by a bear (_casu comedit ursus_),[210] a novel difficulty in the
way of preserving literature.
Public-domain text, read in full here on John Shaqi.
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