Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. IPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. I
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
Symonds thinks it very doubtful whether the Italians would have
undertaken the labour of recovering the Greek classics if no Petrarch
had preached the attractiveness of liberal studies, and if no school of
disciples had been formed by him in Florence. Of these disciples, by
far the most distinguished was Boccaccio. His actual work in furthering
the study of Greek was more important than that of the friend to whom
(although there was a difference of but nine years in their ages) he
gave the title of “master.” Boccaccio, taking up the study of Greek
(at Petrarch’s instance) in middle life, secured a sufficient mastery
of the language to be able to render into Latin the _Iliad_ and the
_Odyssey_. This work, completed in 1362, was the first translation
of Homer for modern readers. He had for his instructor and assistant
an Italian named Leontius Pilatus, who had sojourned some years at
Byzantium, but whose knowledge of classic Greek was said to have been
very limited. Boccaccio secured for Pilatus an appointment as Greek
professor in the University of Florence, the first professorship of
Greek instituted in Europe.
The work by which Boccaccio is best known, the _Decameron_ or the _Ten
Nights’ Entertainment_, was published in 1353, a few years before the
completion by Chaucer of the _Canterbury Tales_. It is described as
one of the purest specimens of Italian prose and as an inexhaustible
repository of wit, beauty, and eloquence; and notwithstanding the fact
that the stories are representative of the low standard of moral tone
which characterised Italian society of the fourteenth century, the
book is one which the world will not willingly let die. It is probably
to-day in more continued demand than any book of its century, with the
possible exception of the _Divine Comedy_. The earliest printed edition
was that of Valdarfer, issued in Florence in 1471. This was three years
before the beginning of Caxton’s work as a printer in Bruges. The
_Decameron_ has since been published in innumerable editions and in
every language of Europe.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account