Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. IPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. I
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
“The followers of the Saint continued in their patient labour, praying,
digging, and transcribing. The _scriptoria_ of the Benedictine
monastery will multiply copies not only of missals and theological
treatises, but of the poems and histories of antiquity. Whatever may
have been the religious value or the religious dangers of the monastic
life, the historian at least is bound to express his gratitude to these
men, without whose life-long toil the great deeds and thoughts of
Greece and Rome might have been as completely lost to us as the wars
of the buried Lake-dwellers or the thoughts of the Palæolithic man. To
take an illustration from S. Benedict’s own beloved Subiaco, the work
of his disciples has been like one of the great aqueducts of the valley
of the Arno--sometimes carried underground for centuries through the
obscurity of unremembered existence, sometimes emerging to the daylight
and borne high upon the arcade of noble lives, but equally through all
its course, bearing the precious stream of ancient thought from the
far off hills of time into the humming and crowded cities of modern
civilisation.”[22]
=The Earlier Monkish Scribes.=--The literary work begun under the
direction of Cassiodorus in the _scriptorium_ of Viviers, and enjoined
by S. Benedict upon his monks at Monte Cassino, was, as said, carried
on by successive generations of monastic scribes during a number of
centuries. In fact, until the organisation of the older universities,
in the latter part of the twelfth and the beginning of the thirteenth
century, the production and the reproduction of literature was
practically confined to the monasteries. “The monasteries,” says
Maitland, in his erudite and vivacious work, _The Dark Ages_, “were,
in those days of misrule and turbulence, beyond all price not only as
places where (it may be imperfectly, but better than elsewhere) God
was worshipped, ... but as central points whence agriculture was to
spread over bleak hills and barren downs and marshy plains, and deal
its bread to millions perishing with hunger and its pestilential train;
as repositories of the learning which then was, and as well-springs
for the learning which was to be; as nurseries of art and science,
giving to invention the stimulus, the means, and the reward; and
attracting to themselves every head that could devise and every hand
that could execute; as the nucleus of the city which in after days of
pride should crown its palaces and bulwarks with the towering cross
of its cathedral.”[23] It was fortunate for the literary future of
Europe that the Benedictine Order, which had charged itself with
literary responsibilities, should have secured almost from the outset
so considerable a development and should for centuries have remained
the greatest and most influential of all the monastic orders. At the
beginning of the ninth century, Charlemagne ordered an inquiry to
be made (as into a matter requiring careful research) as to whether
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account