Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. IPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. I
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
The persistent labour given by these monkish chroniclers to works, the
interest and importance of which were largely outside the routine of
their home monasteries and had in many cases no direct connection with
religious observances, indicates that they were looking to a larger
circle of readers than could be secured within the walls of their
own homes. While the evidences concerning the arrangements for the
circulation of these chronicles are at best but scanty, the inference
is fairly to be drawn that through the interchange of books between the
libraries of the monasteries, by means of the services of travelling
monks, and in connection with the educational work of the majority of
the monasteries, there came to be, as early as the ninth century, a
very general circulation of the long series of chronicles among the
scholarly readers of Europe. Even the literary style in which the
majority of the chronicles were written gives evidence that the writers
were addressing themselves, not to one locality or to restricted
circles of readers, but to the world as they knew it, and that they
also had an assured confidence in the preservation of their work for
the service and information of future generations. The historian
Stenzel (himself a Protestant) points out that these monkish historians
wrote under certain exceptional advantages which secured for their work
a larger amount of impartiality and of accuracy of statement than could
safely be depended upon with, for instance, what might be called Court
chronicles, that is to say, histories which were the work of writers
attached to the Courts. The monks, said Stenzel, in daring to speak the
truth of those in power, had neither family nor property to endanger,
and their writings, prepared under the eye of their monastic superiors
and under the sovereign protection of the Church, escaped at once the
coercion or the influence of contemporary rulers and the dangers of
flattery for immediate popular appreciation.[78] In the same strain,
Montalembert contends that the literary monks worked neither for gain
nor for fame, but simply for the glory of God. They wrote amidst the
peace and freedom of the cloister in all the candour and sincerity of
their minds. Their only ambition was to be faithful interpreters of
the teaching which God gives to men in history by reminding them of
the ruin of the proud, the exaltation of the humble, and the terrible
certainty of eternal judgment. He goes on to say that if princes and
nobles never wearied of founding, endowing, and enriching monasteries,
neither did the monks grow weary of chronicling the services and the
exploits of their benefactors, in order to transmit these to posterity.
Thus did they pay to the Catholic chivalry a just debt of gratitude.[79]
Public-domain text, read in full here on John Shaqi.
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