Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
Caxton’s experience as a publisher did nothing toward the development
of any conception of literary property. Such literary labour as was
contributed to his publications was his own work, and if there had
at that time existed in England anything of the nature of copyright,
the ownership in such copyright would, for the series of translations
which comprised the most important portion of Caxton’s list, have been
vested in the publisher himself. There seems to be, in the record of
his business in Westminster, no reference to any literary payments
whatever, that is to say, to any arrangements for editorial service
or to compensation to scholars for the collection or collation of
manuscripts. In this matter of the securing of “copy” for his Press,
Caxton’s task was assuredly less arduous than that which came upon the
first printers in Germany or Italy. He had at his command or within his
reach the manuscript treasures of the great collections in Bruges, and
during the years which were spared to him for carrying on the work of
his Press, he was able to make but a very small beginning in the work
of placing before the English public the legends and histories selected
from those collections.
Caxton brought into his publishing business methods and standards which
were the results of a long and honourable experience as a merchant.
While he did not amass wealth, he seems to have sufficiently mastered
the principles of a balance-sheet to have been able to carry on his
undertakings with a full measure of independence and with no such
serious financial anxieties as those which oppressed Gutenberg or which
hampered the too idealistic ventures of Aldus. Caxton was evidently a
clear-headed, practical man of business (although his interests came to
be rather literary than commercial), possessing a keen sense of humour,
shown in his appreciation of the best humorous literature of the time,
and with a perception far beyond that of his publishing contemporaries
as to the actual requirements of the public he was endeavouring to
serve. Caxton made no claim to scholarship in the sense in which the
term was used in the fifteenth century, but he is justly to be ranked
with the men of letters. He was evidently a good linguist, having a
thorough knowledge of French and Flemish, and a sufficient familiarity
with Latin to enable him to print correctly books in that tongue, and
to translate from Latin into English. In his edition of _The Golden
Legend_, in the _Life of S. Roche_ he prints the following record:
“Which lyff is translated oute of latyn in to englysshe by me, Wyllyam
Caxton.” His English style was fluent, and will compare favourably
with that of other writers of the time. In the prologues and epilogues
attached to his translations, he utilised freely (as was the custom
of the time) material from various sources, altering this as he found
convenient, and it is not always easy to distinguish between the pages
Public-domain text, read in full here on John Shaqi.
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