Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
that were original with himself and those of which he was simply the
translator. He was able, however, to stamp his own individuality
pretty thoroughly on all the editorial portions of his volumes, and
occasionally, as in the sharp satire of women in the _Dictes and
Sayings of Philosophers_, we find something which seems to be very
definitely an expression of personal opinion.
For poetry Caxton had a cordial appreciation, and he printed the most
noteworthy poems which were within his reach. In his second edition
of _The Canterbury Tales_, he speaks of Chaucer as “the first founder
of ornate eloquence in our English.” In history, the only works at
that time available in English were the _Chronicle of Brute_ and the
_Polychronicon_. To the latter, Caxton himself prepared a continuation,
bringing the narrative down nearly to his own time. Some of the
earlier English authors, in recognition of the value of his work as a
chronicler, class Caxton among the historians, while overlooking his
distinctive service in introducing into England the art of printing.
He was evidently a man of wide reading, and the acquaintance which he
possessed with existing literature must have seemed very exceptional
for his generation. His great delight was in romances, but he takes
pains to tell us that these pleased him not simply for their accounts
of feats of personal prowess, but rather for the examples presented in
them of “courtesy, humanity, friendliness, hardiness, love, cowardice,
murder, hate, virtue, and sin, which inflamed the hearts of the readers
and hearers to eschew and flee works vicious and dishonest.[58]”
In his long and varied business career Caxton appears to have made no
enemies and to have given no grounds for criticism or complaint, and
during the troublous times of civil war he was able, notwithstanding
his intimate relations with some of those high in authority, to
preserve his independence of character and an unsullied record. He was
not a man of genius, nor, perhaps, of the highest ideals; but he showed
imagination, enterprise, and persistent courage. His work was honestly,
intelligently, and effectively done, and his country has good reason to
honour the memory of its first publisher.
=Wynken de Worde.=--Caxton’s successor, Wynken de Worde, was by birth
a Lorrainer, and had accompanied Caxton on his removal from Bruges to
London. He had made good use of his years of preliminary training, and
he was able largely to improve upon Caxton’s printing methods, while
in his publishing undertakings, he had the advantage of a constantly
widening circle of readers of books. His publications comprised no less
than four hundred separate works, covering a wide range of literature.
He does not appear himself to have undertaken any translating or
editorial responsibilities, and in fact no one of the English printers
of the sixteenth century is to be placed in the group of scholars to
which belonged Aldus, Froben, and the Estiennes.
Public-domain text, read in full here on John Shaqi.
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