Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II — John Shaqi
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
In connection with these romances and with some few other classes of
literature, the book-makers of Lyons gave particular attention to the
production of high-class illustrations. They used for the purpose
the work not only of French, but of foreign designers and engravers.
The printer Le Roys, for instance, employed Holbein to design a new
_Dance of Death_, and also to prepare a series of illustrations for
the New Testament. In 1488, Jacques Locher published an edition of the
famous _Ship of Fools_, accompanied by graphic illustrations from an
unknown artist. Locher’s edition was issued in Latin. The first French
translation, under the title _La Nef des Fouls_, appeared in 1497.
This was followed a little later by a companion work published under
the title of _La Nef des Folles_, which illustrated in like manner the
absurdities of women in various walks of life.
The first Paris printer who was able to present in his text any Greek
characters was Jodocus Badius, who issued, in 1505, the _Annotationes
in Novum Testamentum_ of Laurentius Valla, in which several passages of
Greek were of necessity included. In 1519, the same publisher issued an
impression of the _Institutiones Imperiales_, in which were included
a few Greek passages. The characters for the type used in these were
designed by a certain Hermonymus, a Lacedæmonian, who was at the time
sojourning in Paris.
In 1507, a Greek Press was established in Paris by Giles Gourmont.
The Press was under the general supervision of the University, but
the immediate responsibility for the undertaking rested with Francis
Tissard. Tissard was a French scholar, who, having studied in Padua and
Bologna, had become imbued with an earnest zeal for the development of
classical scholarship in France. He had secured instruction in Greek
from a certain Demetrius Spartiata, and it was his special object to
establish in the University of Paris the study of Greek language and
literature, and to bring the cost of Greek books within the means of
the poorer instructors and students. The few scholars in France who had
heretofore been interested in Greek books had been obliged to incur the
expense of securing these from Milan or from Venice.
Tissard succeeded in interesting in his undertaking the Duke de Valois,
who afterwards, as Francis I., rendered most important service to the
cause of literature for France and for Europe. As the first Greek book
issued from the Press of Aldus, twelve years earlier, had very properly
been a _Grammar_ for the instruction in Greek of students already
proficient in Latin, in like manner the volume selected by Tissard as
the first issue from Gourmont’s Press was an elementary work containing
the Greek alphabet, the rules of pronunciation, and exercises for the
beginner.
Public-domain text, read in full here on John Shaqi.
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