Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
After the death of De Worde, Pynson continued the work of the Caxton
Press with his own imprint. Among the more important of his earlier
issues were the translation of _Froissart_, by Lord Berners, and his
English version of the famous _Navis Stultifera Mortalium_, issued
under the title of _The Shyp of Folys_. Up to the date of about 1490,
the fonts used in the Caxton Press were purchased either in Bruges
or in Cologne. In 1493, Pynson imported some French fonts, which
probably came from Rouen. Lord Berners makes the “Book-fool,” the first
described of the passengers of the _Ship of Fools_, to speak as follows:
“I am the firste fole of all the whole Navy
To kepe the pompe, the helme, and eke the sayle;
And this is my mynde, this one pleasure have I
Of books to have great plenty, and aparayle
Yet take no wisdom by them; nor yet avayle,
Nor them perceyve not.”
“The fole” (whose modern name would, of course, be “bibliomaniac”)
possesses his books, in short, for show, for the repute of having a
library, and for their fine binding:
“Full Goodly bounde in pleasant Couverture
Of Damas, satin, or else of velvet pure.”
Pynson did not confine his list to books of satire or of amusement,
although these formed by far the larger proportion of his publications.
He continued the series of chronicles begun by Caxton. In 1516, he
published the _Chronicle Fabyan_, in which Brute, of the regal family
of Priam of Troy, is made the founder of the first colony in the
British Isles. With hardly an exception, the books of both De Worde
and Pynson were very fully illustrated. Their interest in illustrated
texts had been formed in the environment of the Flemish school,
the printers in which seem to have considered that a book without
illustrations was hardly complete. It was of course also the case that
the class of literature selected by the first group of the English
printers was in its subject-matter much more available for illustration
than were the classical texts or the controversial and theological
treatises which were at this time absorbing so large a share of the
attention of the printers in Paris, in Germany, and in Switzerland.
Public-domain text, read in full here on John Shaqi.
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