Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
names were famous in literature or in the records of the Church, the
difficulty must have been enormously greater in the case of books,
however distinctive in themselves, by writers who were not known to
the public. There was, in fact, no adequate machinery for bringing
new books to the attention of possible readers. Many years were still
to elapse before anything in the shape of a periodical came into
existence, and in the impossibility of reviews or of advertisements,
there was no way of giving or of distributing information about new
books except by word of mouth or by personal correspondence.
It is to be borne in mind that I am speaking of the years immediately
preceding the Reformation. The enormous public interest aroused by
the writings of Luther and his associates brought about an immediate
change in publishing methods and possibilities, a change which will
be described in a later chapter. The books of Erasmus, which in large
part preceded the Lutheran writings, must be considered as having
constituted a noteworthy exception to the literary conditions of his
time. Their record also will be given farther on. It remained the case,
however, that with a few inconsiderable exceptions, the only moneys
paid to authors by the first Koberger were for editorial service. Hase
mentions that in the production of the great _Chronicle_ of Schedel,
funds had to be provided only for the illustrations and for the
printing, the compiler, Hartmann Schedel, and his associate, George
Alt, being willing to accept their compensation in the form of sets of
the work.
Public-domain text, read in full here on John Shaqi.
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