Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
The fight made by Sarpi on behalf of the independence of the State, and
particularly of the right of the State to supervise and control its
literary productions was, notwithstanding, of first importance for
the intellectual activities of Europe. The arguments used in Venice
were repeated in Madrid, Paris, Zurich, and Oxford. Time was gained for
authors and for printers until, largely by means of the presses which
the Church was endeavouring to throttle, the spirit of resistance to
the domination of the Papacy and the feeling of national independence
against the right of Rome to lay down the law for Europe had gathered
so much strength that the claims of the Church were either withdrawn or
very much moderated.
In 1602, an instance occurred of censorship on the part of the Church
not for the expression of heretical opinions, but for the omission from
a work of authority of certain passages which the Church considered to
be important. The work was a commentary by Suarez on the Tractate _De
Censuris_ of Thomas Aquinas. The permission to the booksellers Ciotto
and Franceschi to print the volume was given by the Venetian censorship
only on condition of the omission of the passages in question. The
Congregation of the _Index_ at Rome thereupon forbade said booksellers
to continue the printing of the work (the publication of which was
stigmatised as a _crimen falsi_) under penalty of excommunication.
The omitted passages contained attacks upon the temporal authority
of princes. Sarpi pointed out that the formula of the _imprimatur_
was unwisely worded, in that it expressed the “approbation” of the
Government for the works issued, thus assuming on the part of the State
a practical approval of the doctrines contained in such work. The term
should, he suggested, be modified to “with the permission.”
In 1611, Thomas Preston, writing under the _nom de plume_ of Roger
Widdrington, published his _Apologia Cardinalis Bellarmini_, and in
1613, his _Disputatio Theologica_. Both works were placed on the
_Index_ by a special decree of the Congregation, _Nisi auctor quam
primum se purgaverit_.
The Nuncio in Venice begged that the decree might be published and
enforced upon Venetian booksellers. The Government, acting under
Sarpi’s advice, refused to allow the prohibition to take effect in
Venice, on the two grounds that the theological doctrines taught by
Widdrington were sound and orthodox, and that his arguments against the
pernicious doctrine of the temporal authority of the Pope over princes
were eminently worthy of dissemination. It will be noted that the
Nuncio had in his application expressly conceded one of the principal
contentions of the Republic that no Roman prohibition was valid in
Venice until confirmed by the Government.
Public-domain text, read in full here on John Shaqi.
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