Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
What Casaubon would, of course, have preferred and what ought, through
his father-in-law, to have been secured for him, was the advantage of
the Greek Press of Paris, which, during the previous half-century, had
secured for itself a well-earned pre-eminence. For the impecunious
professor a journey to Paris was, however, at this time, out of the
question, and he was obliged to content himself with a provincial
publisher. Of the book-trade of the French provinces, Lyons was at
that time the centre. In facilities for reaching the book markets of
Switzerland and Germany, it had advantages over Paris itself. Its
connections with Italy were, of course, very much more direct than
those possessed by the publishers of Paris, and it utilised these
connections not only for the prompt importation of the publications
of France, of Florence, and of Rome, but for the reproduction, often
in pretty close fac-simile, of the more noteworthy books issued from
the Italian presses. With the smaller outlay requisite in reprinting
works upon which the expense of editing and preparing for the press had
already been covered, the publishers of Lyons were able to undersell
Aldus and his successors and to secure for the Aldine texts a large
part of the returns from the markets of southern Europe. They did
not even limit their “appropriations” to the productions of foreign
publishers, such as Aldus of Venice, Froben of Basel, and Koberger of
Nuremberg. We find continual record of complaints on the part of the
publishers of Paris that their “privileges” were not respected and
that their more marketable books were reproduced by their piratical
competitors in Lyons. The “enterprise” of the publishers in Lyons seems
not even to have been restricted by their relations with the Catholic
Church, for they built up a trade in the production of Calvinistic
hymn-books for the use of the congregations of Switzerland.
Public-domain text, read in full here on John Shaqi.
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