Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
The printers of Geneva, who were naturally of the opinion that
Calvinism was their legitimate stock in trade and should be for them
an exclusive possession, equally unmindful of their denominational
obligations, retorted by manufacturing cheap editions of missals,
books of hours, and even of Jesuit publications. The Lyonese printers
availed themselves of the brand of heretic to secure the confiscation
at the frontier of a good many shipments of the books from Geneva even
when these books belonged to “orthodox” Jesuit literature. The Genevese
could not easily meet this weapon, as there was at that time in force
in the Republic no _index expurgatorius_, and there was, therefore,
no means of securing an examination of books on the frontier. They
continued, however, their invasion of the French market after peace
had been restored between France and the Republic, and they managed
to evade the prohibition or the restriction upon the importation
of books printed in the Protestant city of Geneva, by placing upon
their title-pages the name of some other publishing centre, such as
Cologne or Antwerp. Occasionally even, the name of a French city was
substituted for the obnoxious Geneva. For instance, the edition of
_Aristotle_, printed in 1590 by Le Maire of Geneva, had upon it the
title _Lugdunæ_ (Lyons).
Henry Estienne died at Lyons in January, 1598, and Casaubon, on his way
to Geneva, to look after the settlement of his wife’s interest in the
estate, stopped at Lyons. He found there, in the person of a certain
Meric de Vic, a patron who was willing to co-operate with him in the
publication of the _Animadversiones_, and who, afterwards, gave him
the means of making his visit to Paris. In later years, De Vic was
known as a friend and patron of Grotius. I have been able to find no
exact record of the arrangement with the Lyons publisher. The work was
printed for the account of the author, by Antoine de Harsy, the cost
being in large part provided by De Vic.
Pattison speaks of De Harsy as “one of those cormorants who about this
time began to sit hard by the tree of knowledge,”[38] but he does
not give us the evidence for this unfavourable estimate. He goes on
to say, as if in mitigation of his harsh description of Casaubon’s
first publisher, that up to this time the publisher had usually been
the friend of the author, and often his collaborator, even when not an
author in his own name.
Public-domain text, read in full here on John Shaqi.
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