Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
Schoiffher, or Schöffer, of Mayence, was the first of the foreign
publishers who maintained a permanent agency in Paris. This agency
naturally excited the jealousy of the licensed Paris book-dealers,
and, in 1474, the stock was seized on an application from the Guild on
the ground that it was the property of an alien who was not a licensed
dealer. Louis XI. gave evidence, however, that his interest in the
new art was superior to any local or national prejudice, and, on a
petition from Schoiffher, he caused to be paid over to him the sum of
four hundred crowns as an indemnification for the loss of his books.
In 1474, the King also granted to Gering and his associates letters of
naturalisation which secured a protection for their business.
The first volume printed in Paris in French was _Les Grandes Chroniques
de France_, which was issued in 1477, by Pâquier Bonhomme, bookseller
to the University. This was, however, not the first printed book that
had appeared in French, as it had been preceded, by some years, by
the _Recueil des Histoires de Troyes_ published in Bruges by Caxton.
In 1495, Anthony Vérard, who had previously been an illuminator and
probably also an engraver of block-books, established a printing-office
and devoted himself particularly to the production of illustrated
works. In 1503, he printed in English, for sale in the English market,
the _Art of Good Living and Dying_, the illustrations in which occupy
about as much space as the text.
After Paris, Lyons was the city of France in which the art of printing
secured the earliest introduction and the most rapid development.
The printer-publishers of Lyons showed themselves “enterprising” in
more ways than one. They were free from the immediate supervision and
control of the authorities of the University of Paris, and, as the
history of the Paris Press shows, the difficulties placed in the way
of publishing undertakings by the bigoted and ignorant censorship of
the theologians, must have more than offset the advantages usually to
be secured in the production of scholarly publications, through the
facilities of the University collections and the editorial service
rendered by the University members.
Public-domain text, read in full here on John Shaqi.
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