Books Before Typography: A Primer of Information About the Invention of the Alphabet and the History of Book-Making up to the Invention of Movable Types; Typographic Technical Series for Apprentices #49Hamilton, Frederick W. (Frederick William)
History
Books Before Typography: A Primer of Information About the Invention of the Alphabet and the History of Book-Making up to the Invention of Movable Types; Typographic Technical Series for Apprentices #49
Hamilton, Frederick W. (Frederick William)
Books -- History
More important in its development, however, was the picture. Primitive
men all over the world very soon learned to make pictures, very crude
and simple to be sure, but indicating fairly well what they stand for.
These pictures may be so arranged and conventionalized as to convey a
good deal of information. The position of a human figure may indicate
hunger, sleep, hostility, friendship, or a considerable number of other
things. A representation of a boat with a number of circles representing
the sun or moon above it may indicate a certain number of days' travel
in a certain direction, and so on indefinitely. This method of writing
was highly developed among the North American Indians, who did not,
however, get beyond it.
[Illustration: Indian picture writing. The biography of a chief.]
The next step forward is the attempt to represent abstract ideas by
means of pictures. The picture then ceases to represent an object and
represents an idea. This is called an ideogram. While it has certain
very obvious limitations, it has one advantage over more developed
systems. The ideogram does not represent a word; it represents an idea.
Consequently it may be intelligible to people who, in spoken language,
represent the idea by very different words. For example, there are
several cases where a common set of ideograms appears to have been used
as a means of communication between people whose spoken language was
mutually unintelligible. The Chinese sign for "words" made
thus [Illustration: [Chinese character]] is a typical ideogram. It
represents a mouth with vapor rising from it.
The next step forward is the development of the ideogram into the
phonogram, or sound sign. When this step is taken, the ideogram, besides
representing an idea in a general way, represents a sound, usually the
name of the object represented by the ideogram or by one of its
components. A succession of these phonograms then represents a series of
sounds, or syllables, and we have a real, though somewhat primitive and
cumbrous, written language. Concurrently with this process the original
picture has become conventionalized and abbreviated. In this shape it is
hardly recognizable as a picture at all and appears to be a mere
arbitrary sign.
[Illustration: Comparative ideographs.]
After a time men discovered that all the sounds of the human voice were
really decomposable into a very few and that all human speech,
consisting as it does of combinations of these sounds, could be
represented by combinations of simple phonograms each of which should
represent neither an idea nor a syllable but one of the primary sounds.
The phonograms were then greatly reduced in number, simplified in form,
and became what we know to-day as letters.
Public-domain text, read in full here on John Shaqi.
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